GoForth was so generous of his time and wisdom to share in his journey. And it’s his vision that this board have a journal of our journey with our musician of the college/conservatory tours, pre-screens, final auditions and decisions. So - I’m doing my part. It will certainly not be as eloquent and I likely won’t be preparing the COA spreadsheets that he was so good at - but hopefully another parent will glean something from the journey.
Like GoForth’s son, our daughter is a bassist. She started out as a celloist in the 5th grade - and when no one volunteered to play the bass, our daughter raised her hand. I had no idea that this would ultimately mean that our family vehicles would need to accomodate such a goliath of an instrument! When we moved from CA to SC at the end of that year, her first best friend was the other bassist at her elementary school - so it served her well. She rarely practiced - but when she auditioned and didn’t get into the local School of the Arts (we learned later they had no spots) a fire was lit. The following year, she got into the school and the instructor was one of those gems that you can only dream that your son or daughter would have. He went on to coach her smallish public school to winning the #1 public school orchestra in the nation at the NAfME’s annual convention. We were blessed!
About this time, our daughter decided that she wanted to go to a serious music camp called Brevard Institute. She auditioned and didn’t think she had much of a chance - but was waitlisted - and ultimately got in as a freshman in high school. That summer changed the course of her ship. She became friends with two very serious musicans there (cello and violin) and practiced so much that her shoulder ached by the end of the 6 weeks. She was hooked! The Boston Pops conductor spent a week conducting the orchestra - and she was moved by the pieces to the point of tears. Friends, emotion and a sense of belonging all fueled her passion. She asked me at the end of that summer to find her a place that she could go full-time just like Brevard - since she didn’t want to leave.
So - we began to search. We looked at UNCSA where she found an amazing classical bassist instructor. She didn’t want to look at Interlocken since she heard that you had to wear a uniform. She heard about Colburn - and practiced to the point of exhaustion - submitted an audition tape and was invited to a live audition. The instructor there said he was so impressed with her video (one of the Bach Suites) that he played it for his Cincinatti Symphony bassist friend and they both were wowed. By this point, she was also dabbling a bit with jazz at her Arts School in SC and was the bassist in their Big Band. We flew to Colburn and she had a less than stellar 3 minute audition. Her triplet brother auditioned at the same time for the ballet school. I had a dream of the two of them being in the same school. But alas, it wasn’t to be. Colburn accepted no basses into their high school program (which turned out to be a blessing - as her ship was about to turn).
During the course of her visit to Colburn, she learned about the Community Program there which incorporated both classical and jazz. And we learned about the Los Angeles School of the Arts - where she applied to and was accepted. So - we moved to CA (we had lived there prior to SC and were glad to go back).
For the last year, she has been emersed in both classical and jazz. Her shoulder began acting up again (the old Brevard one) especially when she bowed with classical. She joined a jazz ensemble at her school and finally began to study jazz theory and had private lessons from a local jazz bassist. At this point - she decided to focus on jazz. She still dabbles in classical - but it hurts her shoulder - and I suspect that her love of jazz has also taken hold. They say that the brains of jazz and classical musicians are different. I can understand that - and I think hers is more a jazz brain. I’ll never forget seeing her play jazz for the first time - she looked happy and like her body was at one with the music. She looked “in the zone” - the epitome of happiness (according to the Happy Movie which I dragged my kids to go see much to their chagrin). In addition to Idylwild Summer Camp last summer, she also went to Stanford Jazz Camp - but she had a somewhat bad experience with being hit on by several jazz musicians in a not so flourished and chivalrous way. Something that she never encountered in SC. Jazz is certainly a male dominated area and she has experienced several of the downsides of being a minority, this being only one of them.
So - here we are. She is a junior in high school - just marking time in academics to play music - particularly jazz. She has several friends from both SC and LA who are at Berklee School of Music so she thinks that’s where she wants to go - but after doing research on here, I’m trying to open her mind up to other options with good jazz programs. Her instructor in SC went to MSM so that’s on her list, NEC, the New School and Eastman…and mom’s trying to enourage her to look at Oberlin and Frost (for financial considerations - my hubby is disabled so cost is a factor for us). And there’s Cal Arts which she doesn’t know much about but that a bassist that she admires at her school is going to. She’s applied to the Summer Program at Berklee and will hear today if she received the women in jazz scholarship. She is also dabbling in contemporary music - playing with a few local LA bands. (she plays electric bass but is more comfortable with upright).
If she goes to Berklee this summer, we hope to tour a few college/conservatories near there: MSM, the New School, NEC - even if it’s in the summer and not indicative of the usual - and set up trial lessons if the instructors are around. She will start working on pre-screen auditions and hopes to have them done by Sept./Oct. And the dreaded SAT/ACT (she is not academically inclined and would gladly by pass this step).
I have learned so much from purusing the boards here. So much collective wisdom to be had. I think the thing that is most striking to me right now after reading the “Tours…Decisions” is that music schools are not as generous with scholarships as academically focused schools. Be sure to have “safeties” on the list. And it’s OK to take a year or two from the traditional college/conservatory progression. And GoForth’s journal taught me to look at the COA - not just the scholarship or tuition - but the bottom line. It feels like an all consuming, anxiety producing exercise - but to try and enjoy it along the way. Easier said than done for me, a triplet mom with an aviation inclined daughter and a ballet boy (who has been blessed with being at the New York City Ballet’s school (SAB) - so lots of balls in the air. And a likely overload of college tours and applications over the next year. I’m so glad that I’m not alone in this journey.