A *really* late bloomer: teaching music as second career?

<p>Hello all!</p>

<p>I'm not sure if this is the correct place to ask, but any input would be helpful. When I was in high school I played oboe, went to Interlochen for 2 summers, and nearly went to music school, but my parents said "over our dead bodies" to that idea as well as to the idea of me going to a large university where I could double major in music (for love) and engineering (for money). :( So I dutifully got my engineering degrees (BS and MS) at the small engineering school they chose for me. I also no longer play oboe. :( :(</p>

<p>It is now 12 years later. Yeah, I've made a decent living as an engineer, but once a musician, always a musican. I've recently taken up drums/percussion and am now debating whether to go to music school 7 years or so down the line to rekindle my original dreams. I have no illusions about the odds, but I'd love to be able to teach and perform some gigs. The formal schooling is, for me, a way to see how far I can push myself musically.</p>

<p>I can swing it financially, and I have few life obligations (I'm still single and have no children). So, any thoughts or suggestions? Thanks for any guidance you can provide.</p>

<p>I am an engineer who probably spent almost as much time in the music building during my college years as many performance majors. I never had any interest in teaching, but I have been singing and playing gigs since getting out of school. If you feel that music is still a part of who you are, then you have no alternative but to give it a shot. Before doing so, you will want to get very specific about your goals. </p>

<p>As far as gigs are concerned, the main things that formal schooling can offer you at this point are connections and exposure. If you have the talent and discipline, you can pick up the technique any number of ways but you will never get gigs unless people with the ability to hire you know about you. </p>

<p>As a percussionist, solo gigs will be pretty rare. There are a few possibilities to consider when going about getting group gigs.</p>

<p>1) You could start your own group. This takes a lot of work but gives you the most control over the situation. You need to have someone who is good at promoting and publicising the group. A music school would give you lots of opportunities to meet others interested in forming a new group. </p>

<p>2) You could look to join an existing group. This is less work, but you have to convince the others in the group that you are the right one for them. You also have to convince yourself that they are the right ones for you. This can be a very hit or miss proposition (unintended percussion pun) and the degree of the group's success will depend on a lot of factors that you may not be able to control.</p>

<p>3) You could work your way into the ranks of freelancers, playing for events that hire pickup groups put together by a contractor. It takes a bit of luck and a lot of persistence to break into this scene and you have to establish a reputation for being extremely reliable and very good at performing with a minimum of rehearsal time.</p>

<p>Number 3 and, to some extent, number 2 require that you be a known quantity in your chosen field. In order to do that, you have to start somewhere and work your way up. Look for opportunities to play with others, even if it does not generate much income at the start. Look for chances to substitute for others. Once you have built up your chops to a pretty good level, take some lessons from someone nearby who is known to have good connections. Find out where other people play in your area and work hard to build your own connections.</p>

<p>As far as the teaching is concerned, formal schooling may or may not be necessary. In a public school environment, you will need a lot of formal classwork and certification in the state where you want to teach. In a private school, the certification may not be necessary but they will probably still want to see at least a bachelor's degree with intent to work toward a master's. If you just want to teach privately, you can simply let it be known that you are giving lessons and see if anyone responds. The better you are known in your geographical area, the better the response you are likely to get.</p>

<p>Some words of warning: a lot of people who think they want to be musicians burn out after trying it for a couple of years. You have to teach a LOT of students and play a fair number of gigs to make a living wage. The two often interfere with each other when your teaching schedule gets in the way of accepting a well-paying gig or when you start to lose students because you reschedule them too frequntly so that you can accept more gigs. You may find yourself working mostly evenings and weekends and having free time only when your friends are at work. This makes it difficult to have a life of any sort outside of music. If you are not prepared to accept music as a source of stress in addition to a source of pleasure, then you might want to reconsider and simply play with an amateur group or two while keeping your day job. Your standard of living as a single unmarried person in a reasonably well-paying field is very likely to go down, perhaps considerably.</p>

<p>If all of that has not turned you off completely and you feel that you have no alternative but to try, then I wish you the best of luck. I know a few people in the business who make a good living, love what they do and would be miserable doing anything else.</p>

<p>BassDad,</p>

<p>What an excellent response. I appreciate it and I didn't even ask. I really admire your ability to cut to the chase. Good luck to you, GrooveGirl; I hope you go for it. As a parent of a conservatory student, and a jazz major for goodness sakes, I certainly understand your parents' concerns, but then, what happens to a dream deferred.....?</p>

<p>Thanks for your responses! Well, I'll definitely keep all of these issues in mind as I keep practicing.</p>

<p>Just a note (no pun intended) to wish you all the best! It takes a lot of courage to go after your dreams. H is an engineer - which is where his heart is - but he gave up violin along the way. He hasn't touched it since D got big enough for a full-size and took his over. He now lives vicariously through our children. He says his retirement plan is to see when our son (music major) gets work, then move there and attend concerts with comp tickets.</p>

<p>I also relate to your post, because I wanted to be a teacher or writer, and my parents said no to both, so I majored in nursing. I ended up teaching piano at home, and writing freelance; both medicre without proper training. Never use my nursing degree at all.</p>

<p>GrooveGirl--It wasn't clear whether you were thinking of teaching in public/private school, post-secondary, or giving lessons. That will influence what you want to look for when going back to school, I imagine. Do you want to go back full-time to get an education degree and certification? Or to study music and pick up gigs and lessons?</p>

<p>In any event, have you thought about the audition requirements for returning to school full-time? We're just starting the process of looking at music ed. schools for my son, but everyplace we're looking at requires an audition.</p>

<p>I think BassDad offered some excellent and very sound advice. Music is a tough business, according to everyone we know (including some very talented people who went into other careers, eventually, since they wanted more "stability" in their lives).</p>

<p>OTOH, I believe that life is too short to have regrets. If music is something that burns at you, and you have the means, passion and ambition, by all means, pursue it.</p>

<p>I appreciate all the helpful responses! To clarify, what I hope to do is pick up gigs and a few (not many) lessons. I'd like to be a session drummer, but I know that I'll need to build lots of connections for that. By the time I get to that level, my mortgage will be paid off (or close to it), so that's a huge expense that I don't have to worry about. I've been planning my finances carefully ever since I started working because I knew I wasn't going to make it to age 65, or even age 40, as a engineer. Pretty pathetic, I know. I knew that I wanted to pursue something less stable in the future, so I wanted to make sure that I had some sort of safety net in place, even if it was a small one.</p>

<p>I suppose music school is an option, not a requirement, for what I eventually want to do. So I'll have to think it over some more.</p>

<p>Thanks again for all your advice and encouragement!</p>

<p>Paying off the mortgage is a great start. Have you also thought about savings for retirement? With less than 20 years at your current job, it is unlikely that you will have built up much of a pension (if your employer even offers a defined-benefit style pension plan these days.) Hopefully, you will get something from Social Security, but that may not be a lot and it may not start until you hit 70 or later the way things are going. From the sounds of what you want to do, you are not going to be putting much toward retirement from you music earnings. One more thing to think about...</p>

<p>BassDad: yep, I've also thought about retirement too. I've maxed out on my 401k and IRAs and even managed to set aside a little extra each year. Living with a roommate the first 3 years out helped a lot too. I guess my current frugal habits may help make the income drop as a musician a bit less of a shock! :)</p>

<p>Social Security? What's that? :)</p>

<p>Good for you! Have at it then.</p>