<p>Hey! It’s always good to see people interested in AP Music Theory. I am a current student in the class, but I think I can help provide some information about the class and its requirements. I am going to state upfront that I have been involved in classical music since I was 4 and that I attend an arts high school. Although I had not taken a theory class before AP Theory, I had taught myself a LOT of theory in order to help with composing.</p>
<p>AP Theory is all about analyzing music in general and working with four-part chorales in the Baroque style. Chances are that you’ve implicitly done the former and never touched the latter. Your class will certainly hit upon the multiple choice section and how you are expected to analyze modern works, so I wouldn’t worry too much about not knowing that. What you need to come into the class with is a competent knowledge of very basic theory. Don’t worry about part-writing; your class will cover every component of part-writing. What you need to know is all of the music theory required to play a classical instrument; that is to say, you need to be fluent in key signatures, major scales and natural/harmonic/melodic minor scales; fluent in constructing triads; fluent in treble and bass clef; and functional in alto and tenor clef. Let me state that clearly - if you cannot read a musical staff proficiently, you are not going to perform well in AP Music Theory at all. You will struggle severely. Think of it like skipping straight to an AP foreign language.</p>
<p>While I highly doubt that scales are directly tested on the exam, you need to know them for part-writing. There are enough things to worry about when part-writing (avoiding those arbitrary rule violations, maintaining good voice leading, constructing chords with adequate doubling, etc.) that you do NOT want to be thinking about whether or not a C# is usable in A minor.</p>
<p>If you have key signatures, triads, scales, and treble/bass clef down pat by the time you enter the class, you will be perfectly fine. Chances are you’ll be ahead, too. Even at my arts high school, some kids struggled with their scales and triads when starting the class. You should also learn how to read alto and tenor clef just because it will save you a bit of pain figuring it out in class. Nobody is fluent in those clefs besides viola players in alto clef and the rare bassoonist in tenor clef. Everything else (part-writing, analysis, ear training, etc.) will be completely hammered in class.</p>
<p>That brings me to the point about the workload. It is completely possible to take AP Theory with a rigorous schedule. Assuming that you put in the preparation that you need, the class will be pretty easy. However, you will probably get a good deal of homework in AP Theory just because of the importance of practicing part-writing. You want to get to the point where you don’t even have to think about avoiding parallel 5ths or how to resolve the V/V chord. The more you practice, the more chord progressions you will become familiar with, and the less you will have to think about the best voice leading on a IV-V-I. Don’t procrastinate on the homework, and don’t BS it. It’s very easy to just slap down notes in the right chords without worrying about voice leading or Baroque rules, but it will seriously hurt your success in the class.</p>
<p>My final point - learn how to play your scales and chords on guitar. This is because it can sometimes be hard to think about the chords completely in your head. I find it much quicker and easier to finger out a C# minor 7 chord than I do to try to mentally construct it.</p>
<p>Best of luck! The class and exam are doable for you; you just need to put in the effort. Again, much like a foreign language, music theory is not something you can just memorize and regurgitate (like the social science APs) or listen to a lecture on and perform flawlessly (like the science and math APs).</p>