<p>The past couple of posts raise an important issue. While we can all relate to the "show must go on" mindset, both we, as parents, and our kids must take a more long term perspective. Our kids' goal is to have a life long career involving vocal performing. That often means making a well informed conscious decision to pull back when all the little voices in their heads are screaming that they must go on. The pressures can be very significant, from not wanting to "ruin" the show for all the other cast members, not wanting to incur the disfavor of teachers or not wanting to miss a critical audition. In the final analysis, though, if our kids (with our assistance) don't give priority to their vocal health, who will?</p>
<p>In February of her junior year of high school, my daughter was Maria in West Side Story. No cross-casting, no understudies, just one actor prepared for each role. With 2 nights of performances left, she came down with strep throat, running 102 fever. Went to the doc Friday morning, loaded her up with meds, slept all day, went on Friday night. Same deal on Saturday. At the time, we were shamefully ignorant about the risks she was taking. It took a couple of months to recover from the vocal stresses. </p>
<p>Her senior year, we had connected with a laryngologist that specializes with professional vocal performers. My daughter went through the audition season, did a 4 day run of a community theater show and then went to the laryngologist for a check-up a week before my daughter was to go to a choral competition in NYC and 2 weeks before a community concert in which she was to have several solos. The doc looked her in the eye and in no uncertain terms told her to take 3 weeks of vocal rest, no performing at all. She really drove home that this is a life long endeavor and that you must approach vocal health from that perspective or you will not last. When my daughter expressed that there were a lot of people relying upon her, the doc responded plainly and simply that it is so very important for students early on to become comfortable with being their own advocates for their vocal health and to weigh very carefully the risks/benefits of performing when one should really rest.</p>
<p>In the context of auditions, this is really a tough dilemma since so much can ride on a one shot opportunity. However, if unforeseen circumstances make it unwise to perform, it never hurts to at least inquire whether an audition date can be changed. I know many schools in fact urge students to contact them if the student becomes ill because the school itself wants to see the student at the student's best.</p>