<p>i thought it was nonurban because she follows immediately to describe how primitive and bucolic her house is </p>
<p>and i think the line went something like with the wind and taste of salt on my lips i can't imagine living anywhere else
like i just remembered the living anywhere else part and thought that was very nostalgic but not really happy u know? so</p>
<p>oh i interpreted that line as though she was feeling content with where she is living, cuz she "can't imagine living anywhere else." </p>
<p>i dunno, anyone else have opinions??</p>
<p>I'm pretty sure its "musing contentment"</p>
<p>What about the SC with the guy making predictions?</p>
<p>I put "oracular" but I don't think that was right.</p>
<p>that's another test
proabbly no one in this forum knows</p>
<p>i put oracular too</p>
<p>I had the tea room one too for the short passage. Her name was Persia, right? First question was about the beginning of the sentence. Answer A was something like because she wanted to kick out her friend. Anyone know the answer?</p>
<p>And the other question for that passage was "What do the quotations in line something mean?" The quotation was, "Just because I want to think, not feel like some 16 year old." What as the answer? </p>
<p>SC: flunctuation, prattle, decry, pandemic, respite, invoke (not sure about that one)</p>
<p>Shakespeare:
What would be analogous to the inspiration (inspiration or get you hat wet.. etc.) shaw describes?
An antislavery novel that galvanizes the abolition movement
How would the author of the second passage regard Shaw's idea of plays?
too cerebral for accommodating poetic impulses
How do the two authors see Shakespeare?
The first is mixed; the second praises his artistry or both are ambiguous</p>
<p>Hey, isn't the CR section with 23 questions experimental, btw?</p>
<p>invoke was one of the answer choices with counfound</p>
<p>
[quote]
invoke was one of the answer choices with counfound
[/quote]
</p>
<p>yea, i put confound tho. also got oracular (pretty sure its right)</p>
<p>i think the 23 q CR was the real thing.</p>
<p>also, does anyone remember the q to "decry"? i dun remember it</p>
<p>yeah i also put confound and dirge for another</p>
<p>the 23q section should be the real one because the 20 min section (i think about africa) had 20</p>
<p>im starting to think the shaw/shakespear isn't the experimental one because i got all the same stories except the chess one and i got something about a receptiton which was easy....if thats the experimental i will cry</p>
<p>yes, shaw/shakespeare seems to not be the experimental. if I bet on it I think it is was the chess one because I did not get that....maybe the nature/advertisement one</p>
<p>ya I'm kind of shocked because the shaw/shakespeare stories were by far the hardest stories and i thought the marriage one really easy which seems to be the experimental</p>
<p>Marriage passage was extremely easy. Same with the african conservation passage.</p>
<p>what was this marriage thing about
how can i not remmebr</p>
<p>the jim guy and bonny and the daughter with the clueless father</p>
<p>It was about how a father was excluded from his family. It had characters like Morgan, Jim and 2 others...</p>
<p>Pretty much the story focused on how the father was pretty much "irrelevent" to the family. He was excluded from very important decisions in the life of his daughter and he was never given any information about up coming events. (Reception etc)</p>
<p>When I was reading this story I was expecting the father to have a disease.</p>
<p>anyone know which one was experimental?</p>
<p>hopefully it was the african conservation passage.</p>
<p>nobody can tell you which one is experimental , but we can do some analysis to find which ones are most likely it. as far as which one is experimental, it is too difficult for me to tell because I haven't look at all the CR threads for december 2nd yet.</p>