<p>No...it's not such a bad thing. It's a great $30k to $60k a year thing. It's a bit repetitive and it's a bit annoying to have too many residential clients. Ask any architect. At the end of the day, who cares if the loo matches the wash basin or is affordable if we get the Aga. That's not architecture. It's handholding and consumerism at it's pinnacle--great training if an architect wants to learn how to detail substantial materials--but not something many architects would choose to do for decades on end --if they had their druthers. </p>
<p>Anyway....Sooze? Not advocate for the top? What, are you kidding me?</p>
<p>In the few years that I have read sooze's posts, she has always held out the very very tippy top of the MT profession as a possiblity, God willing, for her D2. And so she should. That's where all the talent is--that's where the fun is for creative types.</p>
<p>sooze should apply those same hard 'creative career' realities to her notion of her D1's potential architecture career. </p>
<p>Here's a list of some notable male architects. I imagine the results would be similar if I could find the stats for partners in their own professional practices. </p>
<p>carolyn--note Ando's biography. He is extraordinary but that early behavior would have been a real indicator.</p>
<p>Stephen Holl BArchHon Univ Washington, Diploma AA in London</p>
<p>Robert AM Stern BA Columbia, MArch Yale</p>
<p>Tadao Ando (self taught) from ages 10 to 17 ando spent his time mostly making wood models
of ships, airplanes, and moulds, learning the craft from a carpenter
whose shop was across the street from his home.
1962-1969, by his early twenties, ando had decided on a self-directed
course of architectural study that took him throughout japan to visit
temples, shrines, and tea houses, to europe, africa and to the united
states. he was studying architecture by going to see actual buildings,
and reading books about works of architects such as le corbusier,
ludwig mies van der rohe, alvar aalto, frank lloyd wright, and louis kahn </p>
<p>Daniel Liebskind (Got a BArch form Cooper after studying music)daniel libeskind studied music in israel and in new york becoming
a virtuoso performer. he left music to study architecture receiving
his professional architectural degree at the cooper union for the
advancement of science and art in 1970 in new york city
and a postgraduate degree in history and theory of architecture
at the school of comparative studies at essex university in 1972. </p>
<p>Peter Eisenman bachelor of architecture degree from cornell university in 1955,
a master of architecture degree from columbia university, m.a. and ph.d.
degrees from the university of cambridge, and an honorary doctor of fine arts
degree from the university of illinois, chicago. </p>
<p>Aldo Rossi, graduated from the Milan Politecnico in 1959 with a doploma in architecture (studied film beofrehand)</p>
<p>Alvar Aalto graduated with honors from Helsinki Polytechnic in 1921 after which he opened his own practice.</p>
<p>Norman Foster received his architectural training at Manchester University School of Architecture, which he entered at age 21, and Yale University. </p>
<p>Richard Rogersattended the Architectural Association School in London before graduating from Yale University with a MArch (where he met Foster, presumably)</p>
<p>IM Pei left China when he was eighteen to study architecture at MIT and Harvard.</p>
<p>Charles Gwathmey studied at the University of Pennsylvania School of Architecture under Louis I. Kahn, Robert Venturi, and Thomas Vreeland. In 1962 he graduated with a masters degree in architecture from Yale University where he studied under Paul Rudolph and James Stirling.</p>
<p>Richard Meier He graduated from Cornell University with a BArch in 1957 then worked with a series of architects, including Skidmore, Owings, and Merrill and Marcel Breuer. </p>
<p>Frank Gehry BScArch Universities of Southern California and MArch Harvard,</p>
<p>Rem Koolhause, A Dutch graduate of the AA School in London</p>