<p>But the point is (and why I quoted Alistair Cooke) is that "gender bending" is not just about sexual preference. The Smith women of 1954 were not being defined by their sexual preference, but by their social definition as future spouses and housewives. Many rich ones to be sure - wives of future ambasssadors, CEOs, etc. The "gender bending" then had to do with the possibility of their imagining themselves taking "male" roles in the society. That hasn't changed today as much as people think - given that women can indeed take on "male" roles, but the assumptions about their roles in childbearing and home life haven't changed to accommodate it. In the larger sense, one should start with the recognition that gender is not determined by hardware, and never has been.</p>
<p>Housing issues are the easy part. </p>
<p>(Momrath - like the "operatic part". You see there is this opera called "Marriage of Figaro". The opera begins with Figaro - the Count's servant -- having received permission to marry Susannah, the Countess's chambermaid. The thing is - Figaro got HIM the job. In order to be together, Susannah has been in drag the entire time, and is a gay male. After years of pressure, the townspeople are celebrating because the Count has just allowed gay marriages for the first time. But he doesn't know about Susannah.</p>
<p>Now, the plot thickens. See, the Count's father wanted a son to pass on the family name and inheritance - women can't inherit. His wife died in childbirth, as did the son, but the Count had had a relationship with a courtesan named Marcellina, which bore him a child at the same time. But the child was a girl. Rather than go without an heir, the Count was raised as a boy.</p>
<p>A marriage was arranged with the Countess. Marriage of convenience. The "hardware" of the Count was only revealed after the wedding, leaving the Countess disconsolate. But she wouldn't reveal it, as she received all her social prestige from the marriage. However, the Countess quickly saw through the Susannah ruse, was sexually attracted to her chambermaid, and they've had a long steamy affair.</p>
<p>What is yet to be revealed is that the Count is attracted to Figaro - and it could work, except for their differing socio-economic stations in life.</p>
<p>Stay tuned for the denouement....</p>