<p>Welcome to the crazy world of young music students. I have seen all the ‘super students’ on shows like ‘from the top’ and so forth, who do competitive swimming, who do the EC’s, the AP’s, etc…and want to know a fact? Most of them won’t go into music. The reality of young musicians varies, it does depend on the instrument and where you want to go to school, but the tension between school and what it takes to get into a competitive music school is very, very real. This is especially true on the solo instruments, violin, cello, piano, flute, where the competition level is such that kids I am pretty certain are coming into the top programs maybe playing as well as graduates did a generation ago (just my opinion, but I have reasons to feel that). On things like violin and piano, there just is no substitute for practicing, and I am talking serious hours here. </p>
<p>A lot of serious music students homeschool or go to alternative schools that give them the tie to do what they need, it is very much like what young ballet students and some sports kids go through. Given the long hours at school, then the EC’s, the homework (god help us all…), it is next to impossible to find time to do that, and block out enough time to practice 3,4 hours a day. My S ran into that, and had to make the choice pretty early, and he home schooled (on top of everything else, there also is the problem hinted at here by other people, of pushy school music directors and being ‘asked’ to do all this stuff, further adding to the strain), it was just too much to do the long hours at school, the things required there, and then practice. </p>
<p>To give you an idea, in the high level high school programs like CIM/Juilliard/SF pre college programs, from what I have heard and see, the kids kind of by sophomore year branch off. The ones who are likely not to head into music, who are putting in the EC’s, the AP classes and so forth, SAT, prep, etc, generally fall off in their playing, they dedicate a lot of their time to what is needed to get into a high achieving academic school, while those who want to head into music generally pull back from the academics (some of the kids do both, it is incredible, but they also pay a price for it, I am not too certain they are exactly very happy…). </p>
<p>Unfortunately Piano is extremely competitive, and my take is if you seriously think you want to go into piano performance, you really, really need to pull back from the academics. School administrators are no help with this, many of them, especially guidance counselors, live in this dreamworld where music is this ‘hobby’ during high school and then if you want to do music, you ‘do it seriously’ in high school…and that actually once was somewhat true, one of my S’s teachers pretty much did that, went to a top conservatory (talking late 70’s here), and has a career in a pretty high level orchestra as a principal player (though my S thinks with her doing that, her playing that she had entering college probably wouldn’t get her into a good pre college program these days). On Piano, you are facing kids who put in many,many hours a day, and the kids from Asia will have come in with incredible practice regimes (not so certain after a certain point it is overkill, but doesn’t matter). It is the reality of it, it is one of the reasons people make the big thing about making sure this is what you want to do. </p>
<p>The heavy academics won’t help with music school admissions (it could help with the academic portion of a music school within a university/lac, though). There are alternatives to getting a performance degree, you could:</p>
<p>-Get into an academic college program, and take private piano lessons, get your skills up, then try getting into a grad program…though I don’t know how they would treat things like the lack of music theory and ear training you wouldn’t have undergrad.</p>
<p>-If your intent is to play piano in a more ‘pop’ influenced agenda, it may not matter. I am talking about the standard route with piano, the conservatory/competition, then maybe do accompanying or partnering with others in chamber or solo kind of route. People can and do make a career as pianists outside the classical area, so you potentially could go to school for whatever, take lessons, and meet up with musicians in jthe non classical space, do gigs, and then try and make it coming out. </p>
<p>If your heart is set on the classical world though, then I agree with others, pull back on the academic load, and use the time saved to practicing, I don’t see any other advice to give in that area.</p>