<p>I agree with everyone else-- Rice's music school is incredibly competitive. While it is possible to transfer in after your first or second year, it is extremely difficult and I'm sure it is rare. You would have to be REALLY good to pull that off, either in performance or composition.</p>
<p>Now to your first question, yes, there are a lot of oppertunities for non-music majors at Rice to participate in music. This was actually one of my concerns early on in my search, since Shepherd is so prestigious and I figured that there would not be a lot of oppertunities... but I got in contact with a girl who is a BME major but also plays in several ensembles at Rice, and her comments were very encouraging. Here are her comments about the performance ensembles at Rice (these are just instrumental-- there are lots of vocal performance groups too...)</p>
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<p>MOB - MOB is...interesting. There are a lot of CRAZY people, and it can be
a whole ton of fun, no scratch that, it pretty much has to be a whole ton of
fun, but it probably won't fill a hole in your heart that is marching band.<br>
We never march, we just run into certain formations at the right time, and
our shows are less shows more than comedy skits where we play music and make formations to accent an announcer. Worst of all, most MOBsters actually seem interested in the football game! Very few of the MOBsters are music majors (musis). All that said, the music is FUN to play, the comedy skits are amazing, MOB will take you on a trip out of Houston at least once, and it's a great time to try a new instrument if you ever want to.</p>
<p>BOB - in the Spring MOB becomes BOB, which is basically pep band, and
similar to MOB. Difference is there are no practices and it's all even more
laid back.</p>
<p>Chamber Music - there is a non-performance major chamber music...club, I
guess you would call it, called Crescendo. We meet every once in a while,
and it helps you get into contact with people if you want to play in small
groups. Also, people who want a small group to play contact Crescendo, so
it can help you get gigs if you want to play for money. Crescendo is a
great group, but I've had some frustrations. I tried to set up a woodwind
quintet, and it seems that a lot of people sign up for crescendo and act
interested, but won't reply to e-mails or come to any scheduled practices.<br>
If you are willing to organize and harrass some people to actually play with
you, it can be really awesome.</p>
<p>Large Groups - there's a non-musi orchestra called Campanile, which meets at 9 or 10 on Saturday morning. Unfortunately, that's too early for me (I've
got to sleep in one day!) so I'm not in it. People tell me that the
director is crazy and mean. I worked with a crazy and mean guy in high
school, and personally I think it's kind of nice - you know any compliments
are genuine, but it's a personal preference thing I think. I went to one
campanile concert, and I was not really particularly impressed BUT and this
is a big but, I had just recently been to a Shepherd orchestra concert, and
that will really rather spoil you for much else. As a side note, most of
the Shepherd functions are free for Rice students, and AMAZING. Aside from
playing music, Rice is such an amazing place for being around music.</p>
<p>RSB - the Rice Symphonic Band is really my reason for living (slight
exaggeration). You sound like you had a pretty good high school band - that
generally goes with a good marching program, so maybe it won't be such of a
shock for you, but for me Rice Symphonic Band is like the ensemble I always
wished I could have. There are I think only 2 musis in it (one of them is
first bassoon), but most everyone there is one the upper side of good or
lower side of awesome. There is noone who isn't pretty good, so we can play some amazing things. Right now we are playing the Hindemith Symphonic Metamorphoses and a concert band arrangment of Bald Mountain, earlier this year we played a piece by Eric Whittaker, my favorite modern composer, called Ghost train, if you know any of those pieces, they're some of my favorites. But the real reason RSB is so wonderful is the director. Chuck Throckmorton is the guy who does MOB and RSB (and helps with Crescendo a bit) and he actually knows his stuff. It's really hard to describe,but he a) picks out good music (b) seems to enjoy conducting the music as much as we enjoy playing it (c) knows how to critique without being mean (d) actually knows how to fix what he critiques and (e) I don't really have anything else, but if you come for a visit (it's late in the year for that,
isn't it?) you can sit in on an RSB practice 4-5:30 Tuesday Thursday and see
what I mean. One other thing, Chuck asks that people switch who plays
first, second, third, and fourth for horn I guess on every song, so you
won't get stuck sitting third or second or whatever behind a musi who never
graduates.</p>
<p>Pit - If you played much pit in high school you probably won't want to give
it up, or if you didn't you should consider playing here. Each college puts
on a play each semester, and a few are musicals so pit players are often in
demand. I am also playing in the pit for Ruddigore for the Rice Light Opera
Society, which puts on a Gilbert and Sullivan every year. We could use a
good French horn!</p>
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<p>^^ This was encouraging to me. Hope it helps!</p>