<p>I am speaking for my son, who would roll his eyes probably at me responding. but here goes with what I think he has learned/experienced (given that communications is a text here or there:). </p>
<p>It is interesting, my S was in a top level pre college program for several years, which people who went from it to college said was pretty much the same thing, except you live it 7 days a week. On his instrument in that program, there were a lot of stunningly high achieving kids, who had already soloed with orchestras, won major competitions, etc…well, now in conservatory, he is seeing the difference.</p>
<p>-The work load is a lot higher than I think he expected, even in the classes he is taking. He had theory and such, for example, all the time he was there, but at his school it is a lot more workload</p>
<p>-He already had his moments of feeling out of place, self conscious about his playing, etc at the pre college level, but here what he sees everyone has it. One of the friends he has made is at the point where he is getting close to getting artists management, has won major competitions internationally, yet feels self conscious about practicing in his room, cause other kids in the studio live on that floor…When you get into music school, especially if it is a ‘top tier’ program, the level is uniformly relatively high (there are variations, of course, it does range, even in top programs some studios are blockbusters, others have more of a range, etc), it is very different.</p>
<p>-the time to prepare is less. In orchestra, for example, they started working on the program and had a couple of weeks to prepare, before college that would be several months. You are expected to work on the pieces, and those who don’t are going to show, whereas in pre college there wasn’t really that kind of mentality…and not being prepared for orchestra can get the student into trouble, no matter how good they are.</p>
<p>-same with ensemble playing, in pre college he was lucky to have mostly great chamber and sonata partners, who really cared, but you could get stuck with someone who basically didn’t care, and there wasn’t much you could do. At the college level you can still get stuck with clunkers, kids who don’t care, or don’t try (not talking about kids with limited experience), but again, depending on the program, there may be no hiding (sadly, some programs still treat chamber as some sort of weird EC, and don’t put much weight on it, don’t ask me why), where my son is they put emphasis on it, and they don’t play games. He is being coached by a pretty well known chamber musician, and the guy doesn’t pull any punches, and if my S isn’t prepared, his whole group will look like crap, and they won’t be happy (for the record, my S got in with a group of really talented kids, and loves it, and they are friends, go to dinner together, etc). </p>
<p>-Living in a dorm, I think he most misses privacy, where at home he had his own room he could crawl into after a long day, and do his thing, he has a roommate, who in his case spends a lot of time there. With eating, for some reason while living at home he really learned to eat well and has been okay with that, he actually tends to do better on his own (part of it was with his crazy schedule, we spent a lot of time taking him places, etc, and ate a lot of takeout chinese and pizza as was as sandwiches on the road, etc). </p>
<p>-Some kids have trouble with losing the routine imposed on them by parents and school, my S seems to thrive on the freedom. Instead of saying “I am in a great city, with all these things to do” and dropping off with school,it seems to do the opposite,ie it is like "wow, I can go an practice for 2 hours, and do it for myself’ or whatever.</p>
<p>-I think the biggest change he is feeling is how much he has to do and so little time. He experienced some of that when he went to school before homeschooling and practice time was hurt by the other demands, but here he is seeing the real workload. If you looked at his schedule, you would say “sounds like he has a lot of free time”, but the thing is, most of the time is unscheduled. Sure, you have orchestra for x hours a week, but then you have %x working on the pieces for that; you have chamber coaching/rehearsal X, but you have %x of that practicing, plus you have individual and studio class for Y, with nY practicing for those, and you have theory and aural training, and work for those…in other words, becoming an adult.</p>
<p>-One thing he has said is that he has learned how much the teacher counts. I think at first he wasn’t sure about going to the school he is, the facilities aren’t as good as the school he originally was heading for, not in the same kind of city, etc, but what got him there was the teacher, and he still says that is most important, that while he could hope for better facilities, more practice rooms, etc, that they do pale in comparison. He is happy the program has a great chamber program and they emphasize it, and that is important, and he likes the people running the orchestra program, said as good conductors as he has had, they have turned out to be the best, but in the end he said the biggest weight has to be the teacher. He had choices between schools, his favorite among them, but when it turned out to be his current teacher and the school he is out, versus a nebulous choice of studio at his preferred school, he chose this school, and doesn’t have regrets about that at all (and said on hindsight, the teacher he likely would have gotten at his referred school, whom he was aiming for, might not have been as good). </p>
<p>Obviously, your experience is going to vary, if you have had limited time being away from home , if you have always been the best student, have never really lived music 24/7, it will be different, and keep that in mind when things seem down or not great, you are adjusting to it when it happens. On the other hand, if you truly love music, that will probably take over from the down feelings, too:).</p>