<p>Hi, jazz/shreddermom. However you put it is valuable. But let me note something: It’s other people, in straw-man argumentation, that have been saying “only”. Once again, this is a list for programs that offer a <em>primary</em> focus on contemporary vocals, and provide all the general music grounding any music program would. Primary, primary, primary, not only, only, only. Just as in a jazz program the primary focus would be jazz, in opera the primary focus would be opera, usw.</p>
<p>It seems when it comes to pop and rock there’s a certain Lawrence Welkiness in attendance, a past generation’s thinking. No one says to someone interested in studying jazz, Oh, you need to study opera instead. No one says to an opera student, Oh, you need to study this other style instead. I know: You weren’t among the folks saying “instead.” You said “also.” But I’ve always said “also.” My point is, just because the style is modern, there’s no “instead” or even extra “also” for pop and rock that there wouldn’t be for, say, jazz or opera.</p>
<p>If one wants to study popular music, one should study popular music. Beyond that, to widen their understanding and abilities, along with the general music studies it would be good to study the blues, from which rock in one arc and jazz in another arc arose, and to study African music, from which arose them blues. And then any other kind of music. It all would help. But only in the same way “it would all help” would help if the focus were any style of music.</p>
<p>Your thoughts on the parchment and the place are intriguing. If I get it right, you’re saying the parchment in rock/pop isn’t a precursor to success, even on the corporate side (well, there goes that hope), but is good to have in pocket for the old day job; it’s more the industry connections one will make during the school years that are important, along with the learning. Re: the parchment, I wonder as more schools offer these degrees if that will change, the way it did with creative writing–but that’s just musing. On the <em>place</em> then, you feel that it is especially important in music to study where the music scene is. L.A., New York, London, Nashville, Boston I guess. Not so much, say, Pierre, South Dakota. I pick that because there seem to be no pop programs in that fine town, lest I offend. But what that argues for is that this list is actually shorter than it looks; given the extra challenges of breaking into any of the arts, here music, should one spend four years in a place that isn’t a music center? That makes sense, though I guess I hoped that wasn’t true. :-)</p>