My S is currently a college sophomore. When he attended SETC as a HS junior, a few of the schools DID offer great feedback, one waived a prescreen (I don’t believe that school attends any longer) and a few offered admission to their programs with a “starter” scholarship (possibly more money if he went through the application process). The other cool thing about attending as a junior is that 10 (I think) auditionees went into the room at once and they could watch each other’s auditions to get a sense of how they compared to others in their cohort. The professional auditions are run similarly.
@exitstageleft - even if a college student can’t stay for the whole convention, the price of admission is still a bargain when you consider how many producers you get to audition for at one time and then compare that to the time and money it would take to go to individual auditions for each one. I believe there are generally something like 80 producers in attendance - many more than at other professional unifieds. My S was only being considered for summer work, but that still left something like 25-30 entities he could be considered for. He was extremely fortunate to receive more callbacks than he could get back to over the course of the convention and was really only able to attend the keynote speakers and the two workshops he had signed up for ahead of time and paid additional fees for. Every penny was well worth it. It’s a shame that some college students can only attend for auditions, but if that’s the case, they should still leave plenty of time to get to their callbacks. My S and friends from his college had to leave earlier than expected to get back to an early Sunday rehearsal that the director would not release them from. But even driving in the middle of the night so they could get to their callbacks and still make the morning rehearsal was worth it to stay at the convention as long as possible.