<p>Excellent points, very interesting discussion.</p>
<p>I’d like to blow our own horn here because we haven’t fallen into the trap that the other thread has of shriveling into another “elite schools are inherently better no matter what” argument. I actually wasn’t as surprised as you were - that is a very typical CC phenomenon on “that” side of the form. We all know here that we’re mixing a very complex set of needs and probabilities, and we can’t just play a rankings game, even if we wanted to. </p>
<p>Nansan, I know we tell our kids here to get the best grades they can. There are schools where academics are everything (the great BAs at competitive schools) and also where they count 50% or more in auditioned admissions. I can’t give you any arguable statistics, but I can say that I believe there is truth that there are also many schools, even highly academic schools, that WILL reduce their academic expectations for arts students. Some of them will actually tell you so up front. We have been to info sessions where the staff say “You can have the highest grades in the world, but this is all about the audition.” I do believe that at some schools, the theatre people can “trump” the academic admissions staff if they want a student.</p>
<p>I also believe that they are looking for talented AND intelligent kids at these schools. I think they just know that how an artsy kid did in their gen ed classes in HS is not going to indicate how dedicated they will be to doing well in a BFA program. But they are thoughtful in their selection, because at any BFA program the work is hard. I don’t know how they do it, but they figure out (or at least guess with reasonable accuracy) who will have the most potential to grow and learn effectively.</p>
<p>So while I don’t really disagree with you, I do think it’s possible for kids with less stellar academic records to make their way into the more academically recognized schools’ BFA programs. I think there are kids who get into those programs and ARE over their heads; I also think there are kids who go to all kinds of BFA (and while we’re at it other) programs and find things aren’t what they expected or what they want. Sometimes we can see this coming, and of course sometimes this lack of fit comes out of left field.</p>
<p>I’m fully prepared for my D to want to make a change, for whatever reason. I know too many college students to believe she’s immune to a do-over, and I think everyone here is preparing for the same possibility. If it’s because the theatre program isn’t right for her - then she’ll have to do what it takes to get where she needs to be. If it’s because the academics aren’t what she wanted after all (too much, too little, wrong level of demand), she’ll have to figure that out, too. </p>
<p>I think the only thing I’d urge her to do, if she asked me today, would be to go to a BFA first and see if it works for her, only because transferring in is so much more difficult than transferring into a BA school, especially if she had gotten in already and had turned it down for the BFA. Plus the fact that you start again at year one is a major financial problem - unless she can bring costs way down, we have no intention of funding more than 4 years of undergrad.</p>
<p>So that’s just a practical preference, not one based on her personal needs or goals, or any other real value. She doesn’t have her favorite BA programs on the table yet, so I have no idea what she’ll ultimately decide. But I will remind her of those issues if she ends up weighing the two, because I’m not sure she truly understands the two pathways in that kind of adult detail.</p>
<p>We’ll try to anticipate as much as we can. It’s such a hard thing to assign “quality” in any college decision. I do want to remark about your referring to theatre programs as “top-rated,” though. Maybe you didn’t mean to use that expression, but for the sake of discussion, I’m going to assume that you did. There has been so much discussion here about “fit,” about how you can’t judge a theatre program on an absolute scale - not by how many of its graduates are famous, not by how famous the faculty is, not by how many shows they put on - but only with a personal sense of getting what you want and being nurtured and trained in a way that works for you. </p>
<p>If I tried to figure out if my D’s “lesser-school” BFA is highly “rated” enough to make it “worth it,” I’d go even more crazy. What matters to us is that she believes it has the curriculum, the resources, and the faculty that she knows can inspire and prepare her to her fullest extent, and that the students in the BFA are people she can respect, learn from and work with enjoyably. She definitely wouldn’t choose a theatre program that seems weak or ill-suited to her, especially within a school that won’t provide her with a satisfying academic experience. But she could feel that way about one of the “top” theatre schools just as with one no one has ever heard of.</p>
<p>I think your points are excellent and worth thinking about, and you clearly cared very much about your S and his options. I hope he’s having a wonderful experience wherever he ended up. I’m just urging you to be careful about talking about using “top school ratings” method in this decision, for people who are reading this at the beginning of their process. I’ve begun to question how much that works in school choice in general, but I’m fully convinced there’s no place for it in theatre program decisions. Our kids’ job is to research, study, ask questions and then think long and hard about how they want to spend 4 years, where they will be satisfied and happy.</p>
<p>I’ll even anticipate comments from people who will say “Yes, but they have to consider their future, and where this school can get them.” People can feel and act however they want; I consider these forums to be invaluable places to share information and perspective. But I personally will not believe that my D HAS to adhere to a single proscribed process to meet her goals in life, and I’ve seen no evidence that this philosophy has any application to a career in theatre. I’ve never believed that, and I know she’d laugh in anyone’s face who told her she had to follow one path, and one path alone.</p>
<p>My husband is a doctor: talk about a proscribed process! But we found that even within pre-med, med school, training, and in his career, there are always boxes people seem to insist you have to fit into, yet somehow those boxes aren’t ever as essential as they’re made out to be. I can’t believe that somehow that is more true in the arts - it sounds counterintuitive to me.</p>
<p>There’s my 2 million cents for today! Let’s keep talking!</p>