<p>I would definitely go with the Indiana program. I’ll quote for you some of the glowing accounts of the place that I received from different friends of mine on the Piano World discussion forum when I was deciding which festivals to apply to this summer:</p>
<p>"If you’re in high school, Indiana University Piano Academy, HANDS DOWN, no questions asked. My only experience with it was as a staff member, but how I could have gone as a student!</p>
<p>Why it is so great:</p>
<ul>
<li><p>In addition to daily lessons with the regular faculty (who are stellar enough as is), there are masterclasses about three times a week with some of the most famous pianists alive (Pressler, Watts, O’Conor, etc). I don’t know of any other festival that brings in such big names to give classes to such a young age group.</p></li>
<li><p>On-call practice coaches for all practice time. This means that anytime during your practice, if you are having trouble with a passage, need some quick advice, or just want to talk about/play something for somebody, a “practice coach” will be sent to your room.</p></li>
</ul>
<p>-Interactive sessions…[the friend quoted below] can tell you about these in detail but from what I understand you perform in front of all six faculty members, and they debate publicly, onstage amongst themselves about different approaches to interpretation. Sort of like a masterclass with 6 teachers. </p>
<p>-World class concerts every night</p>
<p>-Duets and ensemble exposure</p>
<p>-Theory classes</p>
<p>-Alexander technique classes</p>
<p>-Great opportunities to network. Bloomington in the summer is fantastic: the whole town is virtually empty -you are alone with the humidity, thunderstorms, and your peers and mentors. Since there are so many picnics and outings, and everything is so compact, you’ll get to make a lot of lifelong friends and connections."</p>
<p>A pianist who is now in college and attending Brevard in the summer (studying with Craig Nies there) had this to say about the Indiana University Piano Academy:</p>
<p>"Based on my past experience (I went the past two summers), you don’t get paired up with a single teacher. You have a lesson with each teacher (although you can usually ask the the teachers for another lesson). You are also assigned a duet and a duet partner, and usually the duets are pretty simple and fun to play.</p>
<p>There are various student recitals, the first one being around the middle of the second week. I believe there are five total, and the last one is on the last day of the camp: the Honor’s Recital. In addition, the night before the final day, there is a duet recital, where everyone performs their duets! Generally, this meant to be a more casual, and even “humorous” recital… You can do some shenanigans like this: [IUPA</a> 2010 Duet: Gottschalk “Ojos Criollos ‘Dance Cubaine’” - YouTube](<a href=“- YouTube”>- YouTube)</p>
<p>My personal favorite teacher is the director, Dr. Karen Taylor. However, I feel all teachers are wonderful and very competent. They also have practice coaches that you can have help you out (sort of like another mini-lesson) during your practice time.</p>
<p>There is an audition you do near the very beginning of the camp where you play a piece for the teachers for the opportunity of a master class with a guest artist, or a master class with one of the camp faculty (they call them interactive classes, though).</p>
<p>Make sure you go outside and enjoy the weather! Ultimate Frisbee, various versions of tag, capture the flat, and other games are a whole lot of fun.</p>
<p>Also, there is a music store called Ars Nova where you can get used sheet music books for great prices, and they also carry countless - absolutely COUNTLESS - CD’s, cassette tapes, and records of classical music (if you have a cassette player or record player; fortunately, I have both!).</p>
<p>I met PLENTY of people at IUPA who loved all sorts of music and were very knowledgeable about violinists, violists, singers, cellists, conductors, brass players, jazz, classical guitarists, chamber music, opera, musicals, etc. I also met plenty of people that were homeschooled. The students the two years I went (and there were many new faces the second time, so this probably applies to anyone who goes) were very keen on looking past any kind of differences and making friends. It doesn’t really have much of the kind of high school pedagogical approach that you’re talking about, either. </p>
<p>Cliques don’t necessarily form, but as with all things, people often find their group of friends that they especially enjoy spending time with. Both years I went, literally everybody made great friends despite differences in upbringing and social life."</p>
<p>If things seem less serious than other festivals, I have a feeling it’s because it’s just not a Juilliard/New York competitive atmosphere rather than any lack of prestige of the program or talent and skill required to do well there. I get the sense that you can work as hard as you want there and not reach any upper limit in the quality of teaching, and the attitude in general seems supportive, considerate of every student’s needs, and pushing them to new artistic heights with that same firm but gentle hand.</p>
<p>Interlochen, on the other hand, seems to me to be a bit of a machine - it has more than twice as many piano teachers than the Indiana program (and those teachers don’t seem nearly as interesting or renowned as teachers at Indiana), and I feel certain that the massive Indiana Jacobs School of Music has facilities in far better condition than a summer camp/arts high school in the country, far away from skilled concert technicians. If I sound vehement, it’s because I have a preference for much smaller programs and the personal side of things. There are nice things about it there: the rural setting can be calming and more summer-campy, and they have a very wide variety of music (orchestra, opera, chamber music) and other art events (visual art, theater, and so forth).</p>
<p>I wish you the best for your summer, whatever you choose!</p>