<p>Jury Prerequisites</p>
<p>The following are the jury requirements:</p>
<ol>
<li> Two semesters of college-level acting class with a B- or better;</li>
<li> Two semesters of college-level Voice & Movement class, including study in the application and full transcription of International Phonetic Alphabet (IPA), and Standard Stage (non-regional) dialect; you need a B- or better in both semesters; and,</li>
<li> One semester of college-level Script Analysis class with a C or better.</li>
</ol>
<p>Please understand that our program is one of the best in the nation a fact Im sure you have carefully considered when looking at CSUF. As such, you may not be working at a level equal to our current sophomores, even though you may have taken the required coursework to jury. You are, of course, welcome to jury if you meet all the prerequisites, but we accept a very limited number of students all of whom must be triple threats and the likelihood of you being competitive in this pool of talented, well-trained students is low. After all, most of the students you are competing with (with the exception of transfers like you) have all taken their coursework here, know what the faculty expects, have learned the techniques that CSUF promotes, and have passed several placement juries into performance-based classes here. They have already been through mini-juries in this placement audition process, and are very well prepared by the time they jury. </p>
<p>Im not pointing this out to frighten you off, but to forewarn you; after all, a trip here for a three-day weekend in May can be a dear expense. And I have seen many transfer students really freaked out in their juries by the quality and pace of the material and technique expected at this level. In these cases, they arent performing at their best, and are overwhelmed by the process and the honest, candid individual feedback forms from the faculty adjudicators (who are not going to pull any punches because you are a transfer they will score and treat you as they would their own students, who are expected to meet certain standards at the end of two years of study here).</p>
<p>Juries</p>
<p>VOICE & MOVEMENT: One of our Voice & Movement faculty members may evaluate your skill level after your acting jury (see immediately below). You would be evaluated in the areas of IPA on-the-spot transcription of and application to a Standard Stage (non-regional) dialect, and voice/body connection and support in relation to free and expressive vocal and physical production.</p>
<p>ACTING: You need to contact Prof. Maria Cominis after April 15th to schedule an acting jury appointment (usually acting jury is held on a Monday, mid-May, to coincide with the beginning of our final exam week). You will be asked to perform two one-minute contemporary monologues of your choice, or one three-minute contemporary scene chosen from a set list of titles/authors prescribed by the Acting/Directing faculty with a partner of your providing. You can reach Maria at: <a href="mailto:mcominis@fullerton.edu">mcominis@fullerton.edu</a></p>
<p>VOICE: You need to contact Prof. Mitch Hanlon after April 15th to schedule your voice jury (usually held on the Saturday before finals begin): <a href="mailto:mhanlon@fullerton.edu">mhanlon@fullerton.edu</a></p>
<p>DANCE: You need to contact Prof. William Lett after April 15th to schedule your dance jury (usually held on the Sunday before finals begin). Usually, we test tap from 9-10am, jazz from 10-11am, and ballet from 11-12. All dance jury combinations are quickly taught (learned as a group), and then performed four or five individuals at a time (in the style of professional auditions). You are not only evaluated on the presentation, but on your deportment throughout the process. Quickly picking up combinations and application of technique are essential skills here.</p>
<p>Program and Coursework Info:</p>
<p>I am including the materials that I provide to all prospective students. They explain the nature and competitiveness of the program, as well as the timeline and procedure for jurying into the major (after completing the required curriculum and grades in the first two years of study). I will also attach a four-year plan (given to incoming freshmen, so you will have to adapt based on the classes you've taken).</p>
<p>Placement Auditions</p>
<p>In the event you opt to take the sophomore level curriculum here at CSUF (after an unsuccessful transfer jury, or in order to prepare for a successful jury in the subsequent May), you must be aware that certain performance-based classes are enrollment by audition only.</p>
<p>Each fall, the Musical Theatre I (236A) classes are quickly enrolled to maximum numbers, with many students unable to register (often as many as 100 students interested in a maximum of 48 spots). If you cannot enroll in the class due to closed status (because all the spots have been taken), PLEASE SHOW UP TO THE FIRST CLASS MEETING of the section you wish to enroll in! At that class meeting, the instructor will give you all the information about the class expectations (syllabus review) and the competitive nature of our program and this career. Then the instructor will inform students about the class placement audition, which will occur at the 2nd class meeting only. You must bring in 32 bars of a musical theatre song, and perform it in front of the entire class and a panel of faculty auditors, who will rate students abilities. An accompanist will be provided please bring in legible sheet music in the appropriate key (no on-sight transcription will be provided), with your cut clearly marked. The most qualified students will be permitted, up to the maximum enrollment. You may be admitted, but may need to take a section other than that which works with your preferred (and already set) schedule we will not over-enroll any section, to ensure adequate instruction and performance time for each student. If you cannot accommodate the other section in your schedule, you have the option of not taking the course you can still jury without 236A/B (but realize that the likelihood of you remaining competitive without this class is very small).</p>
<p>Beginning in December of 2005, students must pass a PLACEMENT AUDITION to be accepted into the second semesters of both Acting II (240B) and of Musical Theatre I (236B). The placement auditions for the B (spring) sections are held ONLY in December, for enrollment authorization in the following spring semester. The auditions are typically held during one of the last two class meetings.</p>
<p>My next post will cover the topic, "Should I jury?"</p>