<p>Depending on what his previous training and professional experience has been, I recommend that he take a serious look at the Rutgers BFA since you’re in Jersey and it would be in-state tuition. A good number of the former Disney and Nickelodeon kids who’ve successfully transitioned to adult careers have gone through Janet Alhanti who teaches her own take on the Meisner work and that’s pretty much what they do the first two years at RU. That progression is a great way to shake off the artifice that can make child and adolescent actors appealing but doesn’t translate well into adulthood if he suffers from that malady at all. (Not saying he does or doesn’t.) The person who had the recurring role as Stabler’s daughter on Law and Order: SVU went there and shot most of her episodes over the breaks while she was in attendance. It doesn’t look like she’s booked much since Chris left the show, but that’s probably more her current type and age as much as anything and you can see the progression in the truthfulness of her acting as time passed if you watch some of her episodes. She did some really excellent work in the later ones. </p>
<p>It obviously isn’t a major in screen acting per se and includes a year in London studying Shakespeare, but my experience is that having spent so much time digging deep into the most difficult work of the classic playwrights has made approaching the lion’s share of the tv and film scripts I now deal with sort like asking a power lifter to move a coffee table around the den. It did take a few post-graduate coaching sessions along with some prescribed viewings to get to the point that I was able to identify and execute the various tv styles straight off the page since I’d never been much of a tv watcher, but it doesn’t look like any of the colleges really teach that to any great extent. And if he’s been doing it professionally, he should already know how to effectively work on camera although there is always more you can learn. It’s different than theatre, but the learning curve isn’t that steep if you already have a rock solid basic acting foundation set in your bones. </p>
<p>Another option is some of the British drama schools who now begin teaching proper camera and mic technique as early as first year. They seem to be doing it well based on this short film made using third year students at LAMDA …</p>
<p>[LAMDA</a> Films: YOUNG RADICALS on Vimeo](<a href=“http://vimeo.com/44216358]LAMDA”>LAMDA Films: YOUNG RADICALS on Vimeo)</p>
<p>If I were grading that, I’d give two A+'s, three A’s and a B. The B might come up to a B+ if the actor could prove to me that he was specifically directed to bound up out of his chair like he did in one shot, but nobody gets away with blowing out his frame in a long shot like he did at one point. Not in my class! Of course, you also have to remember that all those actors should be just as capable of playing young roles with the Royal Shakespeare Company, so that’s definitely a huge part of the training, too, and you’ve gotta love it to live it. </p>
<p>Not to pick on Tisch and Stonestreet in particular, but I’ve looked at a few of the short films on their website. Maybe I was just in a surly mood at the time, but I don’t recall seeing anything to which I’d award an A and there really would have been a good number of Cs and Ds. The shooting styles didn’t reflect what you’d typically encounter on a network tv or major film set, either. Then, I’ve also seen a good number of reels of graduates of some of the other top American schools including my own and had to wonder what the hell they thought they were going to accomplish by showing them to anyone.</p>
<p>There are reasons that the UK and Australian men in particular are currently eating their American counterparts alive on the international market and it doesn’t necessarily have all that much to do with natural ability. They’re from the beginning better trained pure and simple. The emphasis on camera technique is a fairly new addition, too, and isn’t necessarily included in real depth at all their schools. Like I have a friend who went to RSAMD who says they really only had one term of it like in America although it hasn’t seemed to have negatively affected the trajectory of James McAvoy’s career. He’s gooooood … :)</p>