<p>mcpcwhite’s S:</p>
<p>Applied to: CCM, Emerson, Boston Conservatory, Rider, The Hartt School, Roosevelt, Point Park, University of the Arts, Shenandoah, Ohio Northern, Illinois Wesleyan, Viterbo, Missouri State University, University of South Dakota, Missouri Valley College, St. Mary’s (non-audition BA)</p>
<p>Accepted to: Boston Conservatory, Rider, Hartt, Roosevelt, Point Park, UofArts, Ohio Northern, Missouri State, University of South Dakota, Missouri Valley, St. Mary’s</p>
<p>Rejected from: CCM, Emerson, Shenandoah, Illinois Wesleyan (this last one was academic)</p>
<p>Priority waitlisted at: Viterbo</p>
<p>Coaching/summer sessions: Private voice lessons x 6 years; 2 years of dance (which was not enough!); acting workshops over last four years; private monologue coaching before audition season began
Attended MT summer preparatory program at CCM</p>
<p>For us, the private voice is what really paid off – I think this might be especially true for boys whose voices change so dramatically in the teen years. Having someone who really knows the male voice made a huge difference in my son’s confidence too.</p>
<p>Final decision: POINT PARK!</p>
<p>Background: We were careful to put together a balanced list that had at least one non-audition safety school for BA, knowing up front that the MT programs with high academic standards (Michigan, Elon, for example) would be out of reach for him. I would read these threads and marvel at theatre kids who also maintained very high GPAS – my son has never been passionate about anything other than performing and the GPA reflected that. </p>
<p>The audition season was really crazy for us as my son also chose not to do Unifieds, and I’m happy we had the resources to make it happen that way for him. This meant we made nine separate cross-country trips to audition on campus whenever possible (Point Park and Emerson were at regional auditions). In only one case were we truly frustrated in this process - Illinois Wesleyan had apparently not screened him academically in advance of inviting him to audition following a pre-screen; because his GPA is in 2.75 vicinity but with a strong ACT score, I even called ahead of time to verify he had been vetted…only to find AFTER we made the trip that he had a very high audition score but was rejected academically. This was very frustrating as we spent nearly $2000 on that particular trip. But this whole process was a learning experience and you have to take away what you can, I suppose…schools make mistakes. It’s not a perfect process. </p>
<p>Our biggest surprises were the schools with the BIG REPUTATIONS, which he found to be cold and impersonal. That turned him off to some programs he really thought he would fall in love with.</p>
<p>It ended up being a tough decision for him, as he really felt drawn to both Roosevelt and Point Park. (They have in common that they are both urban campuses in thriving theatre communities.) Our visit to Roosevelt was a fun weekend overall, with a great friendly vibe and what really amounted to an on-the-spot acceptance for him in his audition. Naturally, he left there feeling very good. Because he auditioned in Atlanta for Point Park’s program, we had to make a trip after his acceptance there - but in the audition he felt like he really connected with faculty and they made an excellent scholarship offer. In the end, it was our campus visit to Point Park last week that convinced him - it was just a perfect fit and we all knew it. There is a “vibe” that one should not ignore when making a decision like this. He knew he could see himself there in that community, among those students, with that faculty. I echo the sentiment above that feeling wanted is so very important.</p>