Hi everyone,
I’m interested in doing music composition at the undergrad level, but I’m in a dilemna as to whether I should do a B.A. or a B.M. (Lest anyone asks, yes, I have read the Double Degree Essay written by David Lane. My situation isn’t as clear-cut as the 5 separate types of applicant that David mentions in his essay, and I would like secondary opinions on what I should do).
I initially picked up music as a hobby 4 years ago, via piano lessons. Learnt everything from scratch. I joined my school band shortly thereafter and picked up the French horn as a secondary instrument. After some time playing for various concerts and performances, I decided to dive deeper into music. I began learning theory and composition, and I started to compose my own pieces. This, I enjoyed greatly. In fact, I love the feeling of creating my own music so much that I’m seriously entertaining the thought of developing it into a career, à la pursuing an undergrad degree in composition.
Here’s the thing, though. I know that a Bachelor of Music degree is no light commitment; applicants come in with years of experience under their belts. For the most part, I’m largely self-taught, and I know my level of musicianship and performing ability is nowhere near those who apply. I’m worried that if I enter a B.M. program, I might burn out simply due to the sheer caliber of musicianship and focus on music required, plus not to mention feeling inferior to most everyone else. In light of this, it would seem more prudent to just do a B.A, which may provide a better environment and pace for me to develop my musicianship skills (plus there’s always the option of a second major as a safety net).
But from what I’ve researched of several of the more well-known composition programs (excluding conservatories) like JHU, USC, Northwestern, Vanderbilt, Rice, Yale, Columbia, Princeton, the B.M. programs seem to have more opportunities for personal development. More diverse electives, more core modules (ear training and keyboard skills), opportunities to have your works performed by student (and professional) ensembles, opportunities to write commissioned works for others (e.g. Steinhardt students can collaborate with filmmakers from the NYU Tisch Film and Television Program, and write music for short films), private composition lessons with a teacher, and study abroad opportunities are all very attractive options to an aspiring comp student.
In a long story short, it’s about risk. Would I be selling myself short by aiming for the relative safety of a B.A. program, or is it wise? For those who have read my really long post, thank you so much and I hope I can hear your thoughts.
Also, I’d like to know what the community’s consensus is here on some of the best composition programs, both B.A. and B.M. Which music schools would you recommend? ( I do hope the schools I’ve listed above make the cut). As a note, I’m interested in Romantic music - Brahms, Tchaikovsky, Mahler, Strauss, Holst, and Liszt are all favourites of mine. I’ve also developed a liking for choral music after discovering Eric Whitacre and Ola Gjeilo.