<p>For the first two years, MT and classical students take all of the same classes, except sometimes MT students will start taking MT History sophomore year. Those classes include Music Theory, Ear Training, and Keyboard classes, Voice and Speech and Acting, Dance, Song Analysis (Acting the Song, basically), Vocal Production and Music Business, Music History, and Italian, English, German, and French Diction, where we learn the IPA and how to sing properly in each of those languages. We also take whatever GenEd classes we can fit in. Because of our diction classes, we all have to sing classical repetoire in all of those four languages in our voice lessons, one language in each semester of the first two years, to perform in class. MT students focus on mostly MT technique and Classical students focus on mainly classical technique, but I know that the Classical students will work on MT rep, and I have at least 3 English art songs that my voice teacher has given me to work on that aren’t required for my diction class, so there is a lot of wiggle room depending on what your voice needs and the rep that sounds good. Also, when you take Song Analysis sophomore year, Classical students sing MT songs a lot of the time, and MT students are welcome to sing classical pieces, although that doesn’t happen as much.</p>
<p>Once you get to Junior year, the concentrations start splitting off. MT students start taking MT repertoire as a class, and Classical students take rep classes for all of the different languages of classical music. You can’t take MT rep if you are a Classical student, or vice versa, unless you decide to change concentrations permanently, which is very possible, if you change your mind about what you want to do. Also, Classical students do a recital both their junior and senior years, while MT students do a senior recital and then Showcase at the end of senior year. </p>
<p>As for shows, all students, MT and Classical, Graduate and Undergraduate audition each semester for any and all of the shows that they want to for the next semester (except for freshmen their first semester). You are always required to audition, but you can choose what shows you want to be considered for, if any. I am not auditioning for the musical this semester because we would have to come back 2 and a half weeks early from winter break, and I would much rather be home for longer- plus I would have to spend about 500 dollars to change my flight. In the fall semester, there is a mainstage musical in late September (Sweet Smell of Success this year), a chamber opera in December (Cendrillon by Pauline Viardot), and three smaller shows that can be either MT or classical (this year they were Company, the second act of the Marriage of Figaro, and a Kurt Weill revue) that are on a smaller scale. In the spring semester, there is both a mainstage musical and opera (this year The Most Happy Fella and Street Scene). There is also a new MT work (Poolboy by Niko Tsakalakos) and an MT project called 4@15 where 32 students are divided into 4 groups and a composer writes a 15 minute musical specifically for them. This year, a composer who also works as an accompanist for a program wrote a short three part opera that he is putting on with Steinhardt students. The Players Club, which is the VP program’s student theater club, also does a big musical (Children of Eden) which they cast after all of the program shows have been cast, and is a really great opportunity for underclassmen who don’t get cast as much. It is still a full-scale production, and they bring in an outside director and everything. </p>
<p>Overall, this program is really good for someone who wants to major in either Classical voice or MT, but still has a strong interest in the other and doesn’t want to have to decide between them quite yet.</p>
<p>I hope this answers all of your questions- let me know if you have any more!!</p>