Practical Realities: Jobs on every Hollywood Set

<p>““S” should continue doing what he’s doing, but also should go out and ask a professional Editor if he can observe and/or volunteer for a few days. Look for any kind of local production company that “finishes” narrative, documentary, and/or corporate projects.”</p>

<p>Thank you so much! I will pass this on to S. I have a new acquaintance whose husband used to do something related to film for major Hollywood studios before moving to my college town. She told S he could go hang out with her husband in their home studio – which is about a mile from our house. Perhaps since you’ve emphasized how helpful this could be, S will now follow-up on that kind offer.</p>

<p><<
–etcheverry–
Ok friends from CC… I’m facing the toughest decision of my life so far…I’m a junior at a private college( major in business) with a 3.7 GPA, but i’ve always wanted to be involved in the entertainment industry (movie tv music). i’m graduating on may of 2010. My question is; should i graduate and then apply to a film school( second degree/or master), or should i transfer??
I’m interested in three different programs…
Radio film and tv at northwestern, U of Miami, Emerson college and LMU
Film and tv production at USC, UCLA, Chapman, FSU, Biola, Columbia
or
Entertainment business at USC, Fullerton, Belmont, and UCLA( graduate)</p>

<p>The thing for me is that, i have learned that i must be in a field related to arts( that beeing motion pictures, music or tv)
what do you suggest would be the best major for me…should i go fir the entertainment business major where you study the etertainment industry as a hole…should i go to film school and do like a music major combining film and music?>></p>

<p>My first question is what do you really want to do? I mean, specifically, what do you want to do? It’s not enough to say that you want to be in a field related to the arts or even the oft-stated phrase, “I want to be a filmmaker.” It’s difficult to tell you the best way to get “there” if we don’t know where “there” is yet? Does that make sense?</p>

<p>So, the first thing for YOU to do before taking another step into the future is to figure out exactly what it is you want to do with your life. What job in the “entertainment” industry most interests you AND what job do you realistically think you’re talented and skilled enough to do? Once you figure that out, the next step is to investigate the realities of that particular job… what does it take to get there? what do you need to know before jumping into the real world? does it take schooling to learn it? do you need school at all? how much money do you need to invest in order to get in and stay competitive? what will the lifestyle REALLY be like and is that what you want your life to be like? how much money will you realistically make and is that going to be enough to satisfy your dream lifestyle? do you realistically think you have the passion and drive to do whatever it takes to get “there”?</p>

<p>Once you find answers to all of those questions (and more), then take the steps to either find a school that will deliver the “product” that you need to get you where you want to go…or skip the degree and do what you need to in order to get there. </p>

<p>Given your post above, I don’t have any real idea what job it is you’re interested in so my advice is fairly general for the moment. But, given that you are a Business major, you are in a better position than most film students to go find financing that it takes to actually make a movie. You see, when you’re majoring in film, you’re spending a lot of time learning the creative process and very little time learning about the realities of financing and building a viable career. It is fairly easy (and infinitely less expensive) to learn the filmmaking process on your own by reading, making your own films, and/or volunteering to work on someone else’s projects that they are paying for. You really don’t need to spend thousands of dollars to sit in a four year program to learn how to make a movie. What IS valuable is the business, finance, legal, and communication skills you can learn from a higher education. Those fundamentals (and possibly degrees) will take you much farther in the professional industry than a film degree ever could.</p>

<p>As I’ve said above, there are a myriad of “off the shelf” books and resources available out there that provide a fairly adequate background of fundamentals that someone like you can learn from on your own. A university education is valuable in many ways. It’s just important to know what it is you want from life so that you’re spending your money as wisely as possible.</p>

<p>

</p>

<p>Bluebubbles,
Yes! In fact, it seems to me to be a much better way to go. In these bios of the 2008 Student Academy Award winners, most of them appear to be post-grad students.
[Student</a> Academy Award Winners | Academy of Motion Picture Arts & Sciences](<a href=“http://www.oscars.org/awards/saa/winners/index.html]Student”>http://www.oscars.org/awards/saa/winners/index.html)</p>

<p>

</p>

<p>Graduate. That business degree could be very helpful to you in the film industry. If you want to get a graduate degree in a film or entertainment related major, then you will have that plus the business degree. As Brian said, the film degree won’t give you a job. However, you will certainly have opportunities in film school to get internships and part-time jobs that can lead to a job in the industry after graduation.</p>

<p>bjdzyak inspiring post thank you so much…
My biggest passion is film/tv…but i’m not so sure about the specific field (producting, directing, etc) since i have never had a chance to do any of that i can’t tell which would please me more…I have done some theater and was even invited to go to a british theater school, but that was not what i wanted. Last year i had the chance to be some sort of stand by in a movie shooting and that was the coolest thing ever…i felt something in my heart that i knew that was something i should do.
Music is my second passion…i’m learning guitar and i sing…i can spend hours and hours practicing…i’m also very interested in the science behing music mixing, editing (i’m working a lot with pro logic)…
The thing for me is that i don’t see myself doing anything else…i have good grades and i could get a good job in the business field , but i know that i will not be pleased.
In this past two years i found out that i’m extremily artistic…I visited the radio film and tv dep at Northwestern…i went nuts…it was the same feeling i had when i went to disney…</p>

<p>What really worries me is that if i apply for a job or a internship and i don’t have any real experience i won’t get anything…Everybody says that the most important thing is get the foot on the door, but how to do that without the connections and trainning offered by a film school.</p>

<p><< – etcheverry –</p>

<p>bjdzyak inspiring post thank you so much…
My biggest passion is film/tv…but i’m not so sure about the specific field (producting, directing, etc) since i have never had a chance to do any of that i can’t tell which would please me more…I have done some theater and was even invited to go to a british theater school, but that was not what i wanted. Last year i had the chance to be some sort of stand by in a movie shooting and that was the coolest thing ever…i felt something in my heart that i knew that was something i should do.
Music is my second passion…i’m learning guitar and i sing…i can spend hours and hours practicing…i’m also very interested in the science behing music mixing, editing (i’m working a lot with pro logic)…
The thing for me is that i don’t see myself doing anything else…i have good grades and i could get a good job in the business field , but i know that i will not be pleased.
In this past two years i found out that i’m extremily artistic…I visited the radio film and tv dep at Northwestern…i went nuts…it was the same feeling i had when i went to disney…</p>

<p>What really worries me is that if i apply for a job or a internship and i don’t have any real experience i won’t get anything…Everybody says that the most important thing is get the foot on the door, but how to do that without the connections and trainning offered by a film school.>></p>

<p>I can’t tell you that going to school will work for you or won’t. That’s the thing about this business… you just never know. </p>

<p>Unlike some other careers, this is not one that has the model of Filmschool + Film degree = lifelong job, fame, and fortune. The degree itself will not give anyone a competitive edge over someone who doesn’t. It just does not work that way. What Filmschool can offer someone is access to equipment, an environment among like-minded people, and the potential to be friends with others who may be able to help you in your own career. </p>

<p>The equipment angle is a bit silly, in that if you have the money to spend on a four year college, then you have the money to hire a crew to make the movies you want to make. Being among other aspiring “filmmakers” is easy because there are over 700 Filmschools all over the world. Throw a rock and you’ll likely hit someone who also wants to be in the film business in some way. The last one… finding others who can help you… is really what matters. You never know where the next successful Producer, Writer, Director, DP, etc is going to come from. Some are indeed graduates of a Filmschool and others aren’t. Some grew up into the “family business” and many others have to move thousands of miles to break in. There are so many different ways that people get into the business and rarely, if ever, does the degree have any impact on the chances of success.</p>

<p>Filmschool will NOT necessarily give you connections and training that would allow you the opportunity to get a foot in the door. Yes, you can learn valuable things there. But, again, depending on what it is you specifically want to do, you can learn the basics on your own for far less money. For instance, if you want a “below-the-line” job, a film degree is fairly useless. Below-the-line jobs really are “blue collar” skills. Highly specialized jobs that require intelligence and common-sense, but you can learn those skills without forking over thousands and thousands of dollars to a Filmschool where you’re watching old movies and writing papers about them.</p>

<p>If you would like to Write, Produce, or Direct, then a University education COULD be more valuable… but again, not necessarily a Film degree. Producing is about logistics and business, so having a background that develops your planning, accounting, and thinking skills is exceedingly important. Yes, knowing the production process IS important, but having a film-centric education isn’t necessary and could leave out important aspects of education that you need to know. Writing is about you sitting down and writing. A University program in screenwriting will help you learn the unique structure and maybe help hone your skills via graded feedback, but again, the degree is meaningless. What matters is your writing skills, the scripts you have, and the people you are able to get to look at them. Directing… well, most Filmschools cater to selling that dream by intensive study of the “art” of film through review of older films and “production” classes where students make their own short movies. </p>

<p>What’s missing in all of that are the lessons of what it truly takes to build a real career. If the Filmschool has the curriculum and environment and facilities that can “train” you to be “qualified” to get an internship and/or a paying job in the professional world, then by all means, jump in and take advantage of the opportunity. It might work for you! And it might not. It’s just that too many aspiring “filmmakers” leave school with the idea that they are now “qualified” to [fill in job here]. Maybe they have learned the mechanics of doing the job and that is important. But unless they have somehow created something that is so unique that it can’t be ignored, the odds are that those graduates will get a hard dose of reality when they clean out their lockers. </p>

<p>School is a possible way to get experience with equipment and with the production process. Another is to go out into the world and just jump in. To do that, you ask EVERYONE you know if THEY know anyone who is in the business. Chances are fairly good that you will find at least one contact who you can call and explain what you want to do. That person will either be able to help you directly or will (hopefully) refer you to someone else. It’s all about meeting people, being willing and able to move if you need to, and having the passion, perseverance, enthusiasm, and patience that it takes to work your way into the business until you’re making enough money to pay the bills. It’s an art, but it’s a BUSINESS that survives because it sells the art. Most Filmschools just teach the art, which is fine and all, but without knowing the realities of making a living doing this, all of that expensive education will just remain theory. </p>

<p>So, take the time to figure out precisely what it is you want to do, find out what it takes to get there, and then take the realistic steps that it takes to make it happen. Nobody is out here waiting for you to finish school so they can use you. It’s up to you to go do it and make it happen. Some people “make it.” Most don’t. But if this is really what you want to do with the short life you (we all!) have, then don’t let anything or anyone stop you. There are those out there who will tell you that you can’t do it, or that you shouldn’t listen to someone like me, but what matters is what YOU want out of life. You came into life alone and you’ll leave alone. It’s your choice and responsibility to do what you want to with the time in between. Figure out what you want to do, figure out how to get there, and then go do it. Life is short. Each minute that goes by is one more that you’ll never get back. </p>

<p>Start today.</p>

<p>promotion</p>

<p>Here are biographies of some famous directors:
[about</a> film directors, movie directors, directors biographies](<a href=“http://www.celebsa-z.com/directors.htm]about”>http://www.celebsa-z.com/directors.htm)</p>

<p>and producers:
[all</a> top producers, movie producers, film producers, biographies](<a href=“http://www.celebsa-z.com/producers.htm]all”>http://www.celebsa-z.com/producers.htm)</p>

<p>These are interesting to read, but it’s important to remember that the way someone got started 30 years ago might not apply today.</p>

<p><< – timely –
These are interesting to read, but it’s important to remember that the way someone got started 30 years ago might not apply today.>></p>

<p>Yes. I started in television in 1987 and in “Hollywood” in 1992 and the business has changed a great deal since then. </p>

<p>As of today (February 1, 2009), the professional movie industry is fairly stalled. The lack of a new SAG contract since last June has effectively shut down most of the industry. SOME work is going on still, but for the most part, A LOT of people are not working just waiting for the Producers/Studios and SAG to sign a deal.</p>

<p>The way someone was able to get into the industry 10, 20 or 50 years ago is very different than it is today. Because of globalization, studios are able to search the world for cheaper labor, but bring their product back to the US without penalty. What this does is put a lot of people out of work and threaten the livelihoods of those who are able to or have no choice but to remain in the business.</p>

<p>Filmschools teach the art. But it’s just a nice education in theory if the student can’t make a living at it. And keeping in touch with the realities of the economy and governmental policy is part of creating and maintaining a career. What Filmschool out there is actively telling their students about the realities of the film industry TODAY?</p>

<p>There’s been a lot of talk of what an aspiring screenwriter or cinematographer would do in regard to college, but what about editors?</p>

<p>I thought about applying to film schools (I eventually applied as a journalism major), but I’m more interested in post-production, and most schools focus on directing or screenwriting. </p>

<p>I think I will end up just keeping film as a central hobby of mine, helping out the film majors at whatever school I go to. They will be grateful for the help, and I can get my own experience-- just in case I decide film was really the career path I wanted to take.</p>

<p><< --AhoyArielle–</p>

<p>There’s been a lot of talk of what an aspiring screenwriter or cinematographer would do in regard to college, but what about editors?</p>

<p>I thought about applying to film schools (I eventually applied as a journalism major), but I’m more interested in post-production, and most schools focus on directing or screenwriting.</p>

<p>I think I will end up just keeping film as a central hobby of mine, helping out the film majors at whatever school I go to. They will be grateful for the help, and I can get my own experience-- just in case I decide film was really the career path I wanted to take.>></p>

<p>You’ve got the right idea! Why spend your own money when you can offer your services to aspiring Directors who are paying for the project? Look for a magazine called BACKSTAGE WEST (formerly DRAMALOGUE) where upstart productions place their listings in hopes of attracting cast and crew… it’s sort of like an “indie/lowbudget” version of The Hollywood Reporter. Also visit local filmschools and introduce yourself to current students, letting them know that you’re qualified and available to help edit their projects for them. </p>

<p>You’ll have to contact the schools directly to find out what the admission requirements are, but just a quick search shows that USC offers an editing course that appears to not be tied to a major: cinema.usc.edu/admissions/course-offerings-for-the-non-major/production.htm</p>

<p>CTPR 335 Motion Picture Editing 3 units
(CNTV)*
Exploration of aesthetics, theory, history, and procedures
of motion picture editing for many styles of film. Students
view award-winning shorts and sections of features to
illustrate different editing styles and edit a series of
scenes using the latest Avid Express DV equipment.</p>

<p>Thanks! I’ll definitely have to check that magazine out.</p>

<p>That USC class sounds excellent as well, considering I applied for the Annenberg School for Communication there. </p>

<p>I figure no matter where I apply, I can probably take a few film classes as part of my general ed electives anyway. And even though I’ll be a print journalism major, I can use my film skills to help out the broadcast journalism majors. ha.</p>

<p>Brian,
My husband and I own a production company. It’s small (my husband is the only salaried employee), but financially successful and “award winning.” I have to agree that you’ve given excellent advice. I’d like to offer a few thoughts from our perspective:</p>

<p>If you’re trying to break-in to the business, ask a potential employer for an informational interview. My husband will give an informational interview to almost anyone. He doesn’t mind if a new grad asks for tips or a review of his demo reel. He’s always looking for fresh help and needs to know who’s available. It usually turns out to be mutually beneficial. A “connection” for the newbie, and possible (yes, cheap) crew for H.</p>

<p>Husband prefers someone with a post high-school certificate or college degree. RTVF is great, but it’s not essential. Good crew and editors can be self-taught or get their skills from OJT. But, if that’s the case, sometimes there are bad habits to undo. So you’ll have to be open to changing. For example, there are VERY strict standards for logging tape or digital files. </p>

<p>Have a demo, or at least a resume. Your own website is nice, but it’s even OK to put your work on Youtube. Something to show helps get that interview. Even a class project or church volunteer work is something. </p>

<p>Freelance is key. Full-time staff positions at studios are rare. Look for jobs on a day-at-a-time basis. In the beginning market yourself as a “production assistant.” That’s code lingo for “gofer on the set.” (This is a viable option for those of us who don’t have that film degree or prior experience.) As a P.A. you won’t touch a camera or a light. But maybe you get to photocopy the script or fetch a few apple boxes. In any case, you’ll be making $100/day and be gaining experience.</p>

<p>Projects come and go. In between your blockbusters you’ll probably have to work on a couple schlock car commercials. That’s OK. Most days you can’t afford to be picky. As long as you’re working, it’s a good sign. (My husband missed his award at Sundance because he was home shooting a plumber’s spot. :frowning: You gotta take the work when it comes.) </p>

<p>Some of the production jobs that often go forgotten are audio and construction. Almost every shoot needs a sound guy. But it’s not a very “sexy” job so novices aren’t drawn to it. But give it a try. Even the most basic skills could get that producer to call you next time. And if you know how to use a hammer, a saw, and measure some 2x4’s, tell everybody! Ramps, flats, and primitive tables are just a few of the things that keep carpenters busy and can get you on a set. </p>

<p>Equipment is heavy. Many (most?) shoots are “on location.” So expect to do a lot of lifting and moving. It’s not just work “for the little guy.” Even when you’re the director, if YOU own the jib (the lights, the camera, dolly, whatever), then YOU help load. (Unless it’s a huge TV or movie job with lots of help.) Unfortunately, that’s the one part of the job that H doesnt’ like. At the age of 45 he says he too old to pack the truck. But he does it anyway because it’s his gear going on his truck and that’s what it takes to stay in business. </p>

<p>Production work is exhausting but rewarding. It’s one of those jobs where you have a tangible product to show at the end of your 10-hour day. (yes, 10 hours is standard) It really is great. You’ll never forget the first time you see your work on TV. Or your name in the credits.</p>

<p>My health teacher’s son was actually a biology major in college and was on the brink of flunking out. In order to boost his GPA and distance himself from academic probation, he took an English class. Funnily enough, he wrote a story that was so good his professor entered it into a national screenwriter’s contest and he placed 3rd, but despite not winning he still met with people from Lionsgate, Miramax, and Warner Bros. - all of these major prodcution companies. So…he dropped out of college and currently lives in Los Angelos and is making boatloads of cash. He even paid off the college loans he accumulated studying his now useless (and what I consider useless in all respects) major.</p>

<p>What if I am applying as an animation major? Would that kind of a degree be any more helpful than a film degree?</p>

<p><< – dapplesmyapples –</p>

<p>What if I am applying as an animation major? Would that kind of a degree be any more helpful than a film degree?>></p>

<p>Helpful? It depends on what it is you want to do! </p>

<p>A lot of animation is done today with specialty software and different studios/companies will have some proprietary programs that you’ll have to learn. BUT, the key is learning the systems that you have available to you and building a reel that illustrates that you have at least a basic knowledge and skill to create.</p>

<p>Of course the major companies right now are PIXAR and Disney, but don’t overlook Visual Effects houses. You can find extensive lists of both at LA411.com. Find a few, call them, let them know what your interests are and ask them what kinds of work and software you need to learn if you wanted a chance to work for them. Don’t be shy. You might get a couple of negative calls, but most people are more than willing to talk and help out. </p>

<p>Again, the “degree” isn’t what counts in any of this. It’s all about what you can do and who you know. You need a basic foundation of information and skill and then you just have to jump into the pool and start swimming. Make calls, meet people, work for free, be an assistant until you get the chance to move up to what you want to do. Those are the things that you need to do to get there. Filmschool may help train you and you might meet some people who can help, but the degree itself isn’t necessarily going to be a ticket anywhere.</p>

<p>Brian Dzyak
Cameraman, IATSE Local 600/Society of Operating Cameramen
Author, What I Really Want to Do: On Set in Hollywood</p>

<p>bjdzyak,
how can you tell if someone is in it because they like it, or because of the glam? are there interviews of people just talking about the crafts, rather than focusing so much on the fortune? i read that one should only be an actor if one can’t imagine themselves doing anything else. i grew up wanting to be an actor, but i could imagine myself writing. after being an “extra” in a few productions, i decided it isn’t really for me… i felt like i was wasting my time hanging around the set… like i had better things to do. guess that wasn’t for me. however, i do love writing, researching, characters, and think of ways i can be a better writer. i’m convinced though, that playwriting can help one into screenwriting? it also seems like it’s more frequent where an actor who studies another subject becomes successful as an actor rather than someone who has actually studied it in college. guess it’s the theory that’s hard to get rid of. it’s kind of scary when you only have one thing you want to do but aren’t succeeding in it. =/ i guess the only thing aspiring screenwriters can do is write… but i have to add that as a writer, it’s super helpful when you know a lot of other things and are informed. however, that can also sound very vague and difficult to pinpoint. </p>

<p>your posts have been very informative! thanks!</p>

<p><< – 4321234 –</p>

<p>bjdzyak,
how can you tell if someone is in it because they like it, or because of the glam? are there interviews of people just talking about the crafts, rather than focusing so much on the fortune? i read that one should only be an actor if one can’t imagine themselves doing anything else. i grew up wanting to be an actor, but i could imagine myself writing. after being an “extra” in a few productions, i decided it isn’t really for me… i felt like i was wasting my time hanging around the set… like i had better things to do. guess that wasn’t for me. however, i do love writing, researching, characters, and think of ways i can be a better writer. i’m convinced though, that playwriting can help one into screenwriting? it also seems like it’s more frequent where an actor who studies another subject becomes successful as an actor rather than someone who has actually studied it in college. guess it’s the theory that’s hard to get rid of. it’s kind of scary when you only have one thing you want to do but aren’t succeeding in it. =/ i guess the only thing aspiring screenwriters can do is write… but i have to add that as a writer, it’s super helpful when you know a lot of other things and are informed. however, that can also sound very vague and difficult to pinpoint.</p>

<p>your posts have been very informative! thanks! >></p>

<p>This business is just far too difficult to A) break into and B) maintain a viable career for someone who only has eyes on it for the fame & fortune potential.</p>

<p>First, only a very very small percentage of people who actively work in the business are very wealthy and even fewer are famous. The vast majority of those who make a living doing something in the business are middle-class, at best, or struggling to get by like many others out there in different industries. I’m sure there are a few examples of people who got into this to get rich and/or famous and did achieve those goals. BUT, I’m sure that there are more people with those goals who did NOT achieve that level. It can take a lot of time, a lot of energy, a lot of rejection, and years of scraping by all in the hope that you can at least make a living at it, much less get rich and famous. Those “overnight” success stories generally only seem like it after that person has already put in years of hard work with little attention and little money. Of course the media/tabloids like to concentrate on the elite, because that’s far sexier to talk about than the normal people who put in fourteen-hour days for an hourly wage. But if you’re looking to work in the business, the odds are far better if you aim for a below-the-line job than one at the top. There’s only one Director on the callsheet but hundreds of crew. The math is easy on that one.</p>

<p>Next, there is nothing wrong with being an Actor AND a Screenwriter. Many actually do that. And some act, write, AND get the chance to direct too. In fact, for some reason, Actors get more opportunities to get projects going that they’ve written or just thought about than anyone else in the business. Deserved or not, being a mid to top-tier Actor brings with it a level of creative credibility that most others in the business aren’t given. Some of that is because an Actor’s “bankability” can be enough for a financier to say “yes” to a project whereas, nobody goes to see a movie because of who wrote it or who the crew is. There are top-tier Directors and a few Producers who also have high “bankability” ratings that give financiers the confidence to fund a movie, but again, with the exception of just a couple very well-known names, nobody sees a movie because of who produced and directed it. It’s all about the Actors. And if you are an Actor who can guarantee box-office returns, then those with the keys to the safe will bend over backwards to listen to your ideas and read your scripts. </p>

<p>As far as the question of education goes, you do hit on it correctly. Most film programs concentrate on studying other films and the process of making a movie. These things are important to know, BUT having a film-centric education does not give anyone an “edge” over someone else who doesn’t have the film degree. A Screenwriter of course has to know how to write in the proper format and understand the “language” of film, but the Writer needs something to write ABOUT. So it is likely better to spend more time studying History, or Literature, or Political Science, or Sociology…taking film classes is great for access to people and teachers and feedback, but getting a “masters” in any of that truly isn’t necessary.</p>

<p>To learn acting? Well, I’m not an expert on that, but my understanding is that it’s all about going out and doing it. Being comfortable “pretending” in front of other people and for a camera is essentially the “skill” you need to learn. Once you figure out how to do that, then you’ll have an easier time “becoming” the character you’re supposed to play. Performing in a theater is one way to do it, but acting for film is different as you’re likely shooting out of sequence and will have to learn how to maintain continuity. A single one-page scene can easily encompass an entire day’s work as it is shot from a variety of angles, often beginning with wide masters and gradually moving into the closeups. So those key moments, when it is all about the closeup on your face may come at the end of the day when you and the rest of the crew are tired and more than ready to go home. It can be a very demanding strain on your skills and lifestyle.</p>

<p>So, don’t be afraid to multi-task. In my second week in LA, I had a meeting with a studio executive and his advice to me was to keep many irons in the fire. Some people do work all the time, but most don’t. There is inevitable downtime in between projects so if you aren’t making millions of dollars a movie, then you’ll have to have income of some kind coming in. That’s why many cast and crew have side projects going on of some kind. Internet businesses, real estate investments (like house and apartment rentals), film industry equipment rentals, writing… any number of things that aren’t terribly time consuming so that they can work on set when the opportunities arise. Most people absolutely do NOT get wealthy in this business. In fact, right now, times are very tough because of the Screen Actor’s Guild contract issues and the studios continually shooting in less-expensive locations overseas. </p>

<p>Again, the point to all of this is to just be aware of what you’re getting into and what it takes to get there and maintain a career that pays the bills. Anyone who gets into this for fame & fortune is just asking for disappointment because the odds are not in their favor. Can it happen? Yes. Will it? Maybe, but probably not. But, we all have just one life to live, so if that is what you want to do, don’t let anyone stop you from trying.</p>

<p>Jobs on the Hollywood Set aren’t as glamorous as you might think…</p>

<p>You might just run into trouble like this guy: (anyone else remember the Christian Bale drama?)</p>

<p>[Bale</a> Went Ballistic - TMZ.com](<a href=“Christian Bale Rant -- Bale Went Ballistic”>Christian Bale Rant -- Bale Went Ballistic)</p>

<p>oh gah… so dramatic. sounds like he’s acting for a scene. </p>

<p>i recommend watching the movie “the players” if anyone is interested in seeing how Hollywood “works”. I wouldn’t know personally, but I have heard good reviews about the movie being true about Hollywood.</p>

<p>There are actually a few movies that manage to hit the mark on how it really can be:</p>

<p>Living in Oblivion (1995) - a great example of what it’s like on the “student film” level</p>

<p>And God Spoke (1994) - somewhat accurate portrayal of what a low-budget independent film production can be like</p>

<p>The Big Picture (1989) - reportedly a spoof on AFI (the American Film Institute) and how its graduates come out believing that they are superior but find that they are in the same situation as everyone else</p>

<p>The Player (1992) - a look at the studio level of filmmaking</p>

<p>Swimming With Sharks (1995) - a look at the agent side of filmmaking</p>

<p>For anyone who has worked in the industry, they’ll see many of the in-jokes that likely will go past others. But, if you’re looking to get in, these are humorous and semi-accurate portrayals of what can happen.</p>