<p>QM, some of your comments make it very clear that we see literature through our own lenses, perhaps rose-colored ones at times. I get that this book really troubles you, and really troubled your daughter. But you are completely missing or choosing to ignore an entire race’s hundreds year old history of the same exact treatment that a handful of episodes in this one book bring to light.</p>
<p>You say, “…Elizabeth Smart. Jaycee Dugard. Hannah Anderson. Amanda Berry. Georgina DeJesus. Michelle Knight…”</p>
<p>But Ellison was writing from the perspective of knowing the hundreds, THOUSANDS or nameless, faceless young girls and women were treated much worse, because they had NO hope of ever being rescued. This book took on the still existing double-standard of the way white women and black women, white men and black men were treated. If you can’t see that, I don’t know how to help you. </p>
<p>This double-standard still exists today. My older D has a friend whose cousin disappeared after school a couple of years ago. It got very little notice in the news, even locally, whereas Elizabeth Smart made national news. The local press interrupted their broadcasts when she was found. She was invited to the White House. Missing black kids? Eh, whatever.</p>
<p>At the time Ellison wrote his book, black men and some women were still being lynched, sometimes for things that never happened. Around that time, a relative of my H had to leave town in the dead of night because he insulted a white guy. Someone tipped him off that he would be killed if he stayed in town. </p>
<p>But you say, “However, I think that news 50+ years after the publication of Ellison’s book does affect the reading of it.”</p>
<p>Yes it does. But you’re completely ignoring the news of THAT DAY. Not that much of what happened to blacks at the timer MADE the news. Heck, they had PARTIES for some lynchings. But I do understand that your lens is of modern life and modern times. That’s why you say, </p>
<p>“Personally, I would rather have a sympathetic understanding of the difficulties still faced by African Americans conveyed in a different way.”</p>
<p>But here’s the thing. You CAN’T have the injustices and terror and turmoil forced on blacks ONLY when the people/characters are sympathetic. Not all of them were. Ellison wasn’t trying to gain sympathy only for the “good Negroes” (a term my H uses). The evils of racism applied to ALL of them, good and bad, sympathetic or not. And I will go farther and say that what was happening, and why, drove some real life blacks to respond in the way his characters did. Should we REALLY feel less for them because they weren’t sanitized for sensitive readers?</p>