<p>"And one last question..do you all honestly think that a new person can get a lead or major role..when there are so many talented kids that are repeats that they know and they are older?
In other words are the auditions equitable..or does some of who you worked with before at SDM play into it?"</p>
<p>The auditions are definitely equitable. New kids have been cast as leads. My own child has had that experience as well as many we have seen over the years. That said, as in any program or school or similar thing, it is common to base casting decisions on having worked with someone in the past, beyond the audition itself. It is only natural to not be able to erase in your mind having seen someone perform in the past or known their work ethic, and so forth. So, returning campers have played leads but again, so do new kids. I would caution you or anyone, however, to be fully cognizant that being cast in a show at a place like SDM, where often some of the most talented kids from many different communities all land in one place, is not like being cast at home. You kinda get the leads from everyone's school or community theater musicals in one location. They all then cannot be leads, even if they are used to being leads at home. There are just more talented kids in one place in this situation. So, if you go and expect a lead, you will come away possibly disappointed. My own child has played ensemble parts sometimes, leads sometimes, supporting roles sometimes at Stagedoor, even if she normally plays leads at home. Also, often if a kid is a lead one session at camp, they may not give them a lead the other session they go that same summer, that has been a frequent trend as well. Also, there are 13 shows that go up a session, and that means a lot of significant parts to go around. As well, they keep the cast sizes to approx. under 22 kids per show and they provide an opportunity for every kid to shine on stage. It is not like rows and rows of kids in a crowded ensemble on stage. You can see every kid. Some musicals are even revue style with many solos to go around. Sometimes a kid comes for the first time and gets a smaller role and wows them and returns the following summer to play a lead. Sometimes someone comes who they have never seen and is a lead. Sometimes, someone who has gone a long long time and has handled certain roles in the past, gets a good role again. So, while it is all done equitably, and new kids have as much of a chance as anyone else, there is something to be said in casting when you have worked with someone in the past. This is not just at Stagedoor Manor. My suggestion is to go for the experience, the training, the friendships, the stage experiences. To go and set yourself up for a main role is a possible set up for disappointment. If you get a more minor role and wow them with your work, that bodes well for the next time you come too. I have seen that in school and community theater as well. It is pretty natural, if you ask me. Look at UMichigan's BFA program.....they take many talented kids whom they have never met or seen before, just based on a brief audition. But they also have taken some kids who have worked with the department chair in the summer program for high school students. Is this fair? In my opinion, you betcha. It is only natural that the program chair has in his mind memories of working with a kid, seeing him/her perform in a show, etc. For kids like mine who they have never seen before in a class or a show, they must make a judgement on just a short audition, which is completely fair, mind you. But it is what it is. It will always be this way in this field. If you audition in NYC, and we have been there, done that.....there are other kids with Broadway credits up against newbie, there are kids who the casting folks have seen at numerous auditions in the past. It is what it is. Sometimes those kids DO have an advantage. But new people can always have a chance (I mean how else do people get experience, right?). Once my kid went to her first agent submitted audition in NYC and got the part and had never been seen before and there were kid with Broadway credits auditioning. So it happens. Then we have seen other instances at auditions that those the producers knew and who had the credits, got picked over new kids. That is just how it goes. Equitable? I think so. Once my child auditioned in NYC for a musical that was going to be tried out in a west coast city before possibly bringing it to Broadway. It had been first done regionally with these very producers and directors and the girl who played the role that time had since gotten too old/tall for the part but they let her come audition in NYC for them along with other kids. It came down after all the callbacks to that girl and my child. They let that girl keep the part. I think this is fair because they had already worked with her in the prior run of the show and knew her. That is just how it goes. </p>
<p>By the way, the shows at Stagedoor are sorta grouped roughly by age. In that way, a ten year old CAN have a lead. If there is a show ages 8-13, a younger kid can be a lead....my child had that experience several times. If that same 13 year old is in a cast ages 13-18, maybe she won't have the lead. I recall when my child was 11-13 at SD, a couple times she put in a request to be in an older show because she PREFERRED ensemble in a more challenging production than the leads she was getting in a younger production. There are chances for every age at this program. I can think of shows ages 13-17 or so where my kid played a lead at age 14 and 15. So, they don't go by seniority at SD (or at our high school either...she played leads in the high school musical at age 12/13), but they do have some broad age groupings so as to make opportunities available to kids of every age. In other words, you do NOT have to be age 17 to get a lead at Stagedoor, far far from it. It is pretty talent based. But just remember, I know kids now at some of the best BFA programs in the country who played leads at SD but also took their turn some sessions in ensemble. You can't expect to be the lead every time no matter how talented you are, not at a place like Stagedoor. Going to SDM is an eye opener. It was to us the first summer....to see how many very talented kids are out there! It just is not like at home. It really lets you see the "playing field" a bit on a more national scale and that is a good thing to experience if you have any vision of going onto college in this field and beyond. </p>
<p>I hope that helped you some.</p>