<p>I’m pretty sure cptofthehouse is right about Juilliard not requiring transcripts until after admission. I should have used them as an example instead of Mason Gross in my earlier post. I would argue that students headed for programs like Juilliard should concentrate on learning as much as possible about the world while they in high school rather than racking up high scores and grades, because opportunities for further liberal arts-style education are limited. (To be specific, the Columbia exchange is not available at all for theater students.) I have 3 daughters currently in college; the one who goes to Juilliard is a music student, and eligible for the exchange, but scheduling is so difficult that she has only been able to roster one class over three years.</p>
<p>As for the rest of the topic, I don’t believe anyone is arguing that one should blow off high school, but I do think that there is unproductive tendency for us middle class Americans to over-focus on grades and scores (fed, of course, by the frenzied business of college rankings…) </p>
<p>It is also understandable that folks who worked so earnestly to achieve (and have their kids achieve) pluperfect grades and scores in high school should be frustrated to be learn that much of that work was not quite relevant to their current college admissions goals. (This, in the case of conservatory-style admissions.) </p>
<p>But I have three points: </p>
<p>1.For all the talk of grades and scores, why do we so rarely speak of what is actually learned during the high school years? Grades and scores are superficial markers that indicate ability to… get good grades and scores. I would argue that, in the long run, actors and other theater professionals need a knowledge of the world-- of human culture, history, science, and need to have open and curious minds. Rarely is depth of knowledge, or creativity, or critical thinking measured in these tests. (See below.)</p>
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<ol>
<li><p>What makes a person successful? (See above.) In FBF’s pithy quote, the local rooster clearly felt that the C students were successful. I would argue that, within this limited example, each is successful within his/her own definition-- the “professor class” is not after money. And where do the artists fit into this equation? I believe that artists (theater and otherwise) need to be open, curious, and educated about the world. </p></li>
<li><p>I don’t always agree with TheRealKEVP, but I think he is on the mark stating that middle-class society has been trained to see college as an end in itself (and this argument can be extrapolated in a few directions, most easily towards the horrifying student loan crisis.) </p></li>
</ol>
<p>I grew up a high-grade achiever, a good girl in uniform and kneesocks, who wanted to please parents and teachers, who jumped through hoops, and netted small rewards. Without much thought on the matter, when I began my parenting life, I expected my kids to do the same – why wouldn’t they? But a few challenging school situations (beginning about 20 years ago) forced me to rethink my kids’ educational paths and to facilitate what were considered bold, even crazy moves for them. I took a lot of criticism, both to my face and behind my back, because my four kids were in and out of schools, progressive, private, experimental, public. We did some radical unschooling, public academic magnet schools, and everything in between. We had tutors; we did intensive arts training-- everything child-led; I was merely the facilitator. My oldest, a very quirky kid, left formal school at age 11 because she was an intellectual and social misfit (she did take numerous college courses a la carte from age 13) and went to her first-choice college where she majored in philosophy and English-- no longer a misfit, since she had “found her tribe”. Today she is a theater entrepreneur. She has a diploma from a (so-called) top-three liberal arts college but, like KEVP, no high school diploma. Dealing with her college admissions process in 2004 I learned that academically competitive colleges are quite interested in so-called homeschoolers who demonstrate depth and passion, and that a quirky resume is not an impediment. Dealing with her issues gave me the courage to buck the status quo (and further shock friends and family) when it came to my other kids’ choices. </p>
<p>I’m no innovator, and if I had not been forced to deal with a challenging kid years ago, or if we had lived in a wealthier school district or had the cash to send them all to private high schools, then things would have been different. I did not enjoy being criticized by well-meaning friends and family-- but so far my kids have done just as well or better than their peers who remained in place. High school is not the zenith of one’s life-- it’s just a blip. My four kids all went on to their first choice colleges, despite their nonconformist high school careers. Although, as they say, all that and $5 will get them a latte at Starbucks. They need to growing and thinking and learning, and to make bold choices, and to work hard if they are going to succeed. </p>
<p>Okay, I lied; I have a 4th point. </p>
<ol>
<li>I teach in a university that is classified as “most selective”. My students are industrious and smart, and they have worked hard to get where they are. A lot of my work with them boils down to helping them unlearn the narrow and limiting conventions of writing and thinking that brought them to this place. Which they do-- and it is beautiful to watch their minds opening like flowers.</li>
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