<p>1) Whilst not exactly comparable, there are programs such as LA Recording School, SAE Institute (where I graduated from), and Full Sail-- These kinds of programs are what you want if are looking for strong emphasis in the recording arts and audio production (and film/tv sound). These programs, however, lack the rigor, theory, and depth that CMU might provide, but offer a sense of hands on practicality.</p>
<p>2) Employment in a studio isn’t exactly the best outlook at all–things may have changed now, gotten better or worse. As far as I know, of all my classmates that graduated with me at SAE, not everyone landed a job at a recording studio. The ones who could network and knew their music and techniques, did. I didn’t land one myself, because of my music type (house, techno), I didn’t network, and I wasn’t as talented as I am now. There are some independent studios out there, but most of them are for rock/pop/contemporary music. Just because you graduated from CMU, studio HR won’t hire you on the spot necessarily.</p>
<p>Studios will NEVER be obsolete. They will dwindle in numbers, but they will never go away. There is a creative-vibe to be maintained at a studio: the feeling that you are in a high-tech, well-designed acoustic/recording place allows musicians to express themselves in top, accurate form. The music industry is unpredictable, everyone is always churning out stuff hoping to score the biggest hit. Film scoring will always be around, so is TV/post production.</p>
<p>3) No. You will end up working for a audio-technology company, mostly in acoustics design/noise control. You might end up working alongside EEs, who design amplifiers, systems, speakers, microphones, synthesizers, outboard gear, and what not. You will probably end up optimizing, testing, modifying whatever they make. Yeah you might be in a studio once in awhile, but if you mean Day-to-Day as your typical audio engineer, working with musicians, most definitely not (you are WAY overqualified in some aspects, and underqualified in others). Having a supreme ear in what makes something sound good is a ticket to a paying studio job, but like you said the program isn’t “geared towards music”. And you will most always end up as a lowly intern (for who knows how long and how much).</p>
<p>If you’re willing to put up with some of these things, then yeah theres nothing to stop you from trying to achieve your dreams. It’s just that there is a reality to some of these things, and the reason why I am going back to college to pursue Mech Eng (money and security). I have to admit, that I would have never gotten back into engineering if I didn’t try learning to be an audio engineer. In fact, it made me develop a passion for designing and manipulating things. I haven’t completely abandoned my audio background: it helps me with the skills to network, analyze, collaborate, and produce. I just recently finished a chilled-out breakbeat song with a vocalist (who also graduated from SAE). I also got a job offer to spin at a nightclub as well (my second time professionally). </p>
<p>The guy who offered me a job gave me a long speech on being an engineer and being someone who loves music; that I had to really dig up the ground and be willing to try and find these jobs. He didn’t convince me, but I didn’t count him out. I’d hate to give up one for the other, why can’t I have both?</p>