Music School equivalents of "New Ivies" / "Colleges that Change Lives"

<p>The name of the school counts for just about zilch on your resume when applying for the orchestral chair opening. Just like the admissions process, it all boils down to the audition. Now that being said, there is always the spectre of nepotism, real or imagined. As two examples, there is frequent comment and speculation within the ranks of professionals that (a) you'll never be in the violin section of Cleveland unless you've studied with Bill Preucil, and (b) Curtis is the "farm team" for the Philadelphia Orchestra. There are enough examples both for and against these accusations to allow the debate to continue, so yes, it is a potential concern.</p>

<p>As BassDad says, most auditions begin with the screen up. In a number of instances though, the screen drops for the semi-final and final rounds, so the process is not perfect. All other things being equal, it might not hurt if a friendly face on the audition committee recognizes you from somewhere. And he mention contacts... this is far more important in the profession than most realize. It is a small professional world. People move around. Instructors change schools. Orchestral players audition for and get other jobs. The more your name and face (and of course, your abilities as a player) is exposed, the more chance you have of being mentioned for that sub job, that last minute fill in. That's why high level festivals, fellowship opportunities and masterclasses are so important to go to. Besides the learning experience, you increase your exposure, in effect broadening your potential base of support. The idea here is to get your foot in the door.</p>

<p>Conversely, what you do or say may come back and bite you on the bottom in ten years. It does work both ways, so be careful not to burn any bridges.</p>

<p>Finding the right instructor for where you are currently at developmentally and musically is an ongoing process. And it doesn't only include you instrumental mentor, but your ensemble partners, your chamber coaches, a specific conductor or composer. While they may not teach you how to play, the right ones can teach you to be a far better musician.</p>