<p>Alrighty, so my NYU Tisch audition was 8:30 AM today in NYC. I'm gonna explain how the process went for me so those of you who are auditioning can know the basics of what to expect. Again, my audition was in New York, so out-of-town auditions may be different.</p>
<p>The first thing I noticed upon entering the holding room was how few auditioners there were; only 30 something, MAYBE 40 something. After a short speech about the Tisch program, the applicants were split into 3 groups of approximately 10 people each. Each group was led to a different room where one of Tisch's 3 auditors led us through the "movement evaluation."</p>
<p>For all you non-dancing actors out there who were fearing the movement evaluation: don't worry. There's NOTHING to fear. It was just 10-ish minutes of stretches and walking around. It just felt like warming up before any rehearsal and at no point did I feel like I was being "evaluated."</p>
<p>So, after that is when the monologueing/interviewing began! My group of 10-ish people auditioned for the auditor who led us through the warm-up and the other 2 groups auditioned for their respective auditor. So, yes, it was another one auditor audition, and if you read about my UCLA experience, you would know that I'm not a fan of the whole "one auditor" thing. But it was different at NYU. NYU=Nice auditor. UCLA=Battle-axe. NYU=3 auditors auditioning approximately 10 kids each UCLA=2 auditors auditioning approximately 40 kids each. So, there's a difference.</p>
<p>The audition order was determined by how early we submitted out application, not by when we arrived at the audition site. So, because of my amazing ability to turn forms in early, I was second on my group's list. After Ms. First Auditioner exited after a lengthy 10 minute audition, it was finally time for the second college audition of my 6 audition tour! My auditor was a very nice, sweet, blonde, pregnant woman. I forget her first name, but her last name was McMann, I believe.</p>
<p>Oh, and before I forget... You don't need to bring a physical picture and resume if you submitted them online when requested and if you're doing different monologue(s) than the one(s) you submitted online, just let your auditor know and they'll change it in their database. Your auditor will have a laptop with them and he/she will be taking all of his/her notes on it, so don't be surprised if you hear typing while you're acting.</p>
<p>Alright, now, the actual audition. First I did my very well prepared Eric Bogosian monologue. Then, I did my not-nearly-as-well-prepared-contrasting-contemporary-monologue-which-was-not-nearly-as-well-prepared-because-every-other-college-requires-a-Shakespearean-monologue. Then, we worked on my Bogosian for a while and didn't even talk about monologue number two, which I'm kinda glad about. After working on the Bogosian piece for a few minutes, I sat down at the table with Mrs. McMann and she asked me some questions about myself for a few more minutes, then the audition was over! I was in and out of there in under 90 minutes, and you will be too if you turned in your application early. </p>
<p>Overall, I thought it was a nice contrast to the incredibly impersonal UCLA audition. The Tisch audition was speedy, fun, and well-run. The auditors also spend a LONG time with you. </p>
<p>If anybody has any questions about the Tisch audition or wants to comment with their own experience, please, go ahead!</p>
<p>Next up: Juilliard, January 22nd, 9 AM in NYC...</p>