<p>Peabody is a conservatory that is well-respected, I think of composers there as classical and sometimes orchestral, maybe a little more conservative in terms of aesthetic. I have always liked their emphasis on developing by hearing music played a lot. Baltimore is an interesting city. Check out the faculty and try to listen to their music:
Oscar Bettison
McGregor Boyle
Michael Hersch, Chair
Kevin Puts
Christopher Rouse
Geoffrey Wright</p>
<p>NYU Steinhardt is a large multi-faceted school of music and performing arts within a large university, with film-scoring, music business, music technology, music education, music therapy and so on. I think of it as maybe a little more commercial, more contemporary or hip. Again, listen to the faculty’s music and read bios:
Robert Rowe, Julia Wolfe, Ron Sadoff, Ira Newborn, Michael Gordon, Justin Dello Joio, Mark Snow, Sonny Kompanek, Mark Suozzo, Youngmi Ha, and Tae Hong Park, among others</p>
<p>Noone can really answer this. At the grad level there are aesthetic choices to make and the teacher(s) is/are really important. Your son does not have to find a teacher(s) who writes the way he writes, but a teacher who can understand and support what he is trying to do.</p>
<p>Where did he study for undergrad and how would you characterize his compositions so far and his goals in grad school? Can you name some of his favorite composers? Does he want access to all those other strands of music study or want to be around dance, film etc?</p>
<p>If money is an important factor, NYU has a reputation for not giving much financial aid. Peabody, as part of Johns Hopkins, might give more, but it sounds like he did get something from NYU so I cannot judge which is better from that point of view.</p>