<p>Binx, don't be embarrassed. I was about to follow your lead in that same thread until someone else asked whether the OP was asking about high schools or colleges. To answer your question:</p>
<p>We are very much a musical family. Mom and dad are both part-time pros with non-musical day jobs. Mom teaches flute at a local college. Dad gets minor roles with area opera companies and theater groups. Both parents perform in several ensembles. The largest room in our house is a studio that is used for rehearsals, lessons, practice and hosted the occasional informal recital when the kids were taking lessons.</p>
<p>Both children attended Kindermusik classes at an early age (Note from teacher: "In my fifteen years of teaching at all levels, your four-year-old son is the first who has ever cited the krumhorn when asked for an example of a woodwind instrument.") Both of them went to concerts with us (Two-and-a-half--year-old daughter to a fussing six-month old sitting near her: "SSShhh! Baby! Quiet! Concert.")</p>
<p>Daughter showed early interest in music and started private piano lessons at 6, violin at 10 and voice at 13. She was good, but did not seem like conservatory material at the time. Eighth grade string teachers asked for a volunteer from among the violinists to switch to bass. Guess who raised her hand first.</p>
<p>In high school she played and sang in the scool orchestra, select strings, jazz ensemble, pit band, concert choir, touring choir, women's choir, area orchestra, regional band (yes, they take a string bass) and orchestra, all-state band and orchestra, all-eastern orchestra and a few others I am probably forgetting. She also sang with a community chorus and played with a youth symphony outside of school. By junior year she was playing the occasional paying gig at churches and in pit bands for musicals at other high schools. Add in a full academic load and I have no idea when she slept.</p>
<p>The high school orchestra director was extremely supportive, as was one of the choir directors. There was a bit of friction with the jazz ensemble director over missing a mandatory rehearsal so could play at Carnegie Hall with her youth symphony. Amid threats of kicking her out of the jazz group, the orchestra director (an excellent violinist who also played a bit of bass) stepped in, subbed for her at the rehearsal and probably got the other teacher to see reason.</p>
<p>Things got really serious the summer before junior year when she attended four separate music camps and started lessons with the principal bass of the Philadelphia orchestra. He did not have time to continue teaching her once school started up, but he did send her to his best student at Curtis, with whom she studied for two years. The following summer, she was accepted for the BUTI Tanglewood Festival. I think that summer in the BUTI orchestra was the defining moment when she knew that she had to be a performance major.</p>