Welcome, @hesmall ! I will chime in on your question about good VP/Opera programs, if you don’t mind! First, I recommend a diverse list of schools (especially since you have a daughter as Opera programs are highly competitive for women, and particularly if money is a factor). Include some solid safeties (perhaps a local State School…maybe you are lucky and live in an area with a great local program) and matches. Visit early if you can afford to… this year and this coming summer are great, if you can afford to do this. Alternatively, send your D to a summer program, if possible; perhaps one attached to an Undergraduate program. A vocal performance summer intensive is a great way to meet professionals (who will likely recommend teachers and college programs that would be a good fit), and a good way to have a dry run at the intensity of an Undergraduate program in VP. Also, take a peek at the past few years’ prescreen/acceptance threads here on CC (by @“Mezzo’sMama” ) to get an idea of where kids are applying.
One point of contention amongst singer types is whether or not the presence of Graduate Students is a plus or minus to a program… Since vocalists mature later (when compared to instrumentalists), most big, important, excellent Opera programs are heavily Graduate Programs; in fact some of the best programs are Graduate ONLY. So one school of thought (which I happen to adhere to) is that young singers that attend an Undergraduate only or heavy program will receive more attention (best teachers and access to all the coachings, etc.) and (obviously) more performance opportunities. There are very few such programs. Oberlin (where my D attends), Vandy, and Lawrence U., are a few; there are a number of other programs with just a few Graduate students… Personally, I highly advocate for this. Oberlin, for example, has an incoming class of between 15-30 every year, and regularly has graduates accepted to the best Grad programs (AVA, Juilliard, Yale, etc.) and YAPs. Others can chime in on the benefits of having Graduate students around ;). I have heard many stories of kids whose parents pay loads and loads of money, and their child is getting a lesson a week and is in a good choir at a Grad heavy program; to me this is NOT a good value. Some Grad heavy programs are HIGHLY selective with Undergrads (maybe just a few students every year); Curtis and Rice, for example. Definitely look at these programs if your child is a good fit.
Look at teachers. Ask everyone you know about this. Again, summer programs are so helpful here!!!
One unsolicited bit of advice I have in general (which we followed ourselves): It’s important not to be among
the “best” or “worst” singers in your program (yes, I know this is highly subjective). Working with musicians more advanced than you is one of the best ways to improve your own musicianship, however, if you find yourself at the bottom of the heap, you may have many fewer opportunities. Oddly, my D found that her “safeties” showed much less passion and interest in her than her reach schools, so many times, this sorts itself out!
Finally, DO choose a program that shows passion and excitement about your child and her talents.
Best of luck in your journey!