<p>Jeremy, my daughter is a sophomore at Otterbein. She auditioned into the music program and chose to pursue a BA rather than a BM (she was offered a BM). Since she's started, she has decided to pursue an individualized BA; once it's finally approved, she'll be working towards a BA in "Global Cultural Relations" (cultural emphasis in music).</p>
<p>Her decision to change from a strictly music major was absolutely no reflection on the music department but was more about her interests and ultimate goals. She is very impressed with the music department and absolutely adores her studio teacher. She came into the program with a strong background in solo and choral performance and generally feels that she has been well-challenged along the way. She has received nothing but unconditional support from the music department about her new plan, and they still very much regard her as "one of theirs"...so much so that they're allowing her to keep her music scholarship, even though she won't strictly be a music major.</p>
<p>When she auditioned, she actually found herself getting less nervous as the day progressed, because everyone was so supportive...students, staff and professors. Before she went into her audition, she completed a form that included the question as to what she was auditioning for (BM, BA or music ed). My daughter put undecided, because she already knew that she had other strong interests that made a BM unlikely (at Otterbein, BMs can't double major, only minor; BAs are allowed to double major). She was concerned that this might be viewed as a negative, but she didn't want to "game" the system at all. Her "undecided" led to a very nice conversation with the audition panel, and she discovered that it was not viewed as a black mark. In fact, the Director of Choral Activities, Dr. Walker, actually started her music path as a BA. Once you're actually in the program, there is probably a bit of preference given to BMs for performance opportunities, but it's a hard to really tell if it's politics or talent...their training is, after all, a bit more intensive than BAs (although the tracks are identical until junior year).</p>
<p>Cartera raises a valid point about the concern re: MT and VP. Otterbein's MT program is very strong and very, very selective; sometimes, students who don't make the cut for the BFA MT program are offered a BA or BM in music as an alternative possibility. Those students who express a strong preference for MT are generally placed in one or two very specific studios, where there is a bit more emphasis on learning MT style in addition to classical training. Students who are going in for music and want "pure" classical training are placed in other studios where that is the emphasis. But no matter which studio you are assigned, classical training is the starting point. Unlike some schools, you cannot formally request a specific studio, but the assignments are made with some input from the students. I don't know how they do it exactly, but my daughter tells me that very few students ever request a change in studios; they're generally happy with their assignments.</p>
<p>Good luck at your audition, and feel free to PM me if you have any further questions or would like to talk directly to my daughter.</p>