<p>omg no I just typed a really long detailed response and it all disappeared AHHHHH</p>
<p>ok here’s the summary cause I can’t/won’t retype it all.</p>
<p>Don’t do Les Miserables. Duh.</p>
<p>No matter what the song is, if you know you can rock the song, do it. Make everyone else who brings it in pale in comparison to you.</p>
<p>Try and figure out how proficient your accompanist is. Some can handle composers like Sondheim, Bernstein, JRB, Guettel, and Ryan Scott Oliver, some can’t. Regardless, probably don’t bring in Light in the Piazza cause it’s just insanely difficult, even for someone who is familiar with the score. Also, if it’s not a commonly-done song, consider how difficult it is to sightread.</p>
<p>Mark up your music very well. Very very well. Highlight it. Write all over it. You might forget to tell your accompanist something beforehand, or he/she might forget what you said, so make sure it’s all there visually for him/her to see just in case. </p>
<p>Probably stay away from shows that have recently been successful on Broadway (Rent, Spring Awakening, Next to Normal, Newsies, Book of Mormon, etc)</p>
<p>Composers that many people will probably bring in are Cole Porter, Rodgers & Hammerstein, Kerrigan + Lowdermilk, RSO, JRB, Carner & Gregor, Pasek & Paul, Joe Iconis. Though you may be one of a few people at your high school who knows who those contemporary MT composers are, you will be auditioning with plenty of people who also know them.</p>
<p>Other composers to look into are Loesser, Lerner & Loewe, Bock & Harnick, Harbourg, Schmidt & Jones, Styne, Coleman. For contemporary songs that are not as commonly done, probably look into off-Broadway shows (e.g. Dogfight, Vanities [though I can’t speak for the quality of either score, I’m not familiar enough with either, but that kind of thing])</p>
<p>I’ll try to remember to come back and post a list of commonly performed songs for young women.</p>