<p>ETW is a really great studio. It really acts to incorporate movement into acting, and prepare students to make their own works. This is an exerpt from the Tisch website:</p>
<p>"The ETW curriculum is divided into a lower level comprising the first two years of training, during which students follow a prescribed course of study, and an upper level for third and fourth year students, who choose their own advanced courses in voice, movement, and acting. </p>
<p>ETW also runs an upper level transfer track designed primarily for third and fourth year students transferring from other NYU studios. The first year of training at ETW is designed to introduce the students to themselves as performers through the study of sound, movement, self-scripting, the Viewpoints, and improvisation. At the end of the first year, students create projects based on the work of a choreographer or director. The second year focuses on developing craft; students build on the foundational skills acquired in the first year through classes in Meisner and Grotowski-based acting techniques, movement classes in technique, style, and choreography, and voice work in technique, improvisational song, and advanced speech. At the end of the second year each student must write, produce, design and perform a short, original theatrical work. The upper level curriculum is designed to deepen and extend the first two years of training through advanced technique work and exposure to a wide variety of performance styles in theater, dance and music. It changes from year to year depending on the needs and special interests of the third and fourth year students. Each student creates their own curricular structure from the various upper level courses offered that particular semester. Recent upper level options have included scene study classes focussing on the work of Beckett and Shakespeare, Brechtian Theater Making, Directing, Found Object Puppetry, Film Audition, Clowning and Commedia, Video Art, Advanced Linklater Voice, Bel Canto Singing, Contemporary Music Composition, Le Coq Mask Work, Afro-Haitian Dance, Advanced Contact Improv, Hip-hop dance, Suzuki, and Butoh."</p>
<p>Some people say that it's bad because you need a basis in another technique in order to do experimental theatre, but because ETW students do study various techniques along with their training, they get that. I personally definitely wish that I knew about ETW when I was first auditioning for NYU, because it would have been my choice instead of Strasberg. The ETW transfer track (for those coming from other studios after completing two years of primary studio) is very competitive, I think because students realize the amazingness of ETW after actually being at NYU Tisch. If your D wants to switch studios to study a different approach after two years of studio, she is more than welcome to...my guess, however, is that she's going to love ETW. For more information, go to the ETW website, at <a href="http://www.nyu.edu/tisch/drama/etw/%5B/url%5D">http://www.nyu.edu/tisch/drama/etw/</a>. If you have any more questions, don't hesitate to ask!</p>