<p>As others have said, those online rankings, especially US News and World Report, are bogus when it comes to music schools, they are based in criteria that mean basically nothing, like SAT’s of entering students, cost/benefit ratio (however they do it) and so forth, and it is often apples and oranges.</p>
<p>One other comment, be careful about saying things like Juillliard and Curtis are the best…they are both great conservatories with great faculty, but there is often the perception, especially with people from overseas, that somehow getting in to those programs is either the be all and end all, or that more mistakenly, that graduating from there somehow gives you an in to ‘making it’ in music. The edge they give is great faculty in many cases, and because they are so well known, they can pick and choose whom they admit, and have a very high level of playing pretty much across the board (put it this way, the students at those two schools, in terms of the difference in level between the best and worst students, is going to be a lot smaller than many other programs) so that can help. A friend of my S’s, who is Korean-American, went to Korea and visited with some relatives who lived in a small town in the hinterlands someplace, and when he mentioned he went to a conservatory, they all automatically said “Juilliard”, it amazed him that even there they knew of Juilliard…but with music there is no hierarchical ranking like that, you don’t give a resume to an orchestra and they say “hmm, went to Juilliard, hire them”. Places like Juilliard and Curtis do offer advantages outside the level of instruction, there also is networking, plus the ability to do gigs while studying (so for example, Curtis students often do substitute gigs with the Philadelphia Orchestra, Juilliard students can get gigs being in NYC), so there is definitely pluses to going to those schools…but other schools offer you pluses, too.</p>
<p>The ultimate reason to go to a school is that there are teacher(s) there that you believe can drive your playing forward, that you can work with, then the rest of it is kind of a list of pluses and minuses. Some schools have better facilities than others (for example, Juilliard has Steinways in all its practice rooms that they spend a lot of time maintaining), other schools have great facilities and faculty but the location may not work for a student (Oberlin, for example, is a great music school, but it is in a rural area, and not all students like that, other kids may not like city areas, some schools have more performance opportunities than others. In the end, you have to decide what works for you, and if a teacher at a school really seems to be what you need, but they aren’t at Juilliard or Curtis or some other school others tell you “is the best”, do what you think is best. A very prestigious school that doesn’t work for you in terms of teacher or location or whatever isn’t going to help you as much as a place that works for you. </p>
<p>Other schools with good piano faculty:</p>
<p>New England Conservatory
Colburn School of Music
USC</p>