<p>Hi, musicman!</p>
<p>You posted last week asking about vocal coaching and possible medical concerns. Unless you are having specific vocal "issues" (problems), you probably don't have to worry about anything medically, although it's always cool for singers to get a "baseline" vocal strobe just to familiarize you with your vocal anatomy and, more importantly, to get a picture of your voice in its "normal, healthy" state as a basis for comparison if you ever DO have vocal trouble such as a vocal injury. However, most insurances probably won't cover this "healthy voice" care unless you are officially making your living with your voice (and sometimes you have trouble getting the coverage even then.)</p>
<p>Your main concern in looking for a vocal coach should be being aware of what YOU need this person to do. Basically, a "voice teacher" is someone responsible for instilling good vocal technique (breath support, relaxation of the throat and face musculature, creating "space" in your mouth, forming vowels properly, singing a truly musical "line," etc.) Many AMAZING voice teachers are NOT very good at selecting MT rep - although SOME are VERY good - because their education has not been about keeping up on MT trends - their rep education was most often centered around classical (opera, art song, & oratorio) rep. I say this NOT to "diss" voice teachers - a good voice teacher who is a real technique AND musicianship master is THE most important thing for a developing singer to find!!! However, you need to make sure your voice teacher really knows the MOST CURRENT needs for MT auditioners. That does NOT mean he or she is versed in WICKED, AVE Q, BROOKLYN, etc. - I am not talking about simply being versed in the most popular contemporary MT rep - in general, those thing are horrible choices for auditions anyway because they are so overdone! I am talking about someone who knows a WEALTH of both classic and contemporary MT songs and, if at all possible, what each school prefers. (Each school will certainly list your song REQUIREMENTS - a pre-1960 song, for example - but if you can get "insider info" on which schools REALLY love true Golden Age choices, which schools love more cabaret-style songs, etc., so much the better.) </p>
<p>In New York, many actors have BOTH a voice teacher and a vocal coach: the coach helps the actor pick really suitable rep for his or her type and also for the requirements of any partcular audition and also works on the overall acting and vocal style of the presentation - but usually doesn't address vocal technique AS MUCH as a voice teacher. But many voice teachers ALSO are excellent coaches of acting a song - and many ARE NOT.</p>
<p>I hope this seemingly conflicting info doesn't confuse you, but rather serves to point out that you can't necessarily take a teacher's word on his or her area of expertise. Without being disrespectful, you need to make sure each of your coaches and teachers can do ALL that you need to prepare to audition as an MT - meaning you will learn different styles of singing (girls, any teacher who tells you "you can't belt with me" doesn't understand SAFE belting or at least "mixy belting" and DEFINITELY doesn't "get" that girls MUST DO a belt song for nearly all conservatory auditions, as well as a legit song!!!) and have a wide variety of rep available to you - NOT just the songs in the Musical Theatre Anthology collections!!! (Yes, those are WONDERFUL resources - but if "everyone" uses them, you should try to avoid that material unless it REALLY fits you such that you "own" it!!!) </p>
<p>My #1 piece of advice, as a LONGTIME teacher who has coached alongside everyone from amazing teachers in small, isolated towns (like my hometown!) to current Broadway MT actors, is this:</p>
<p>Any REALLY GOOD teacher will NOT be afraid to admit what they CANNOT do for you. I tell ALL of my students that I am an excellent person to pick and coach rep but that I am NOT the best person to BUILD their voices (instill technique), although I certainly know more than most teachers - it just so happens that I have a colleague who is a MUCH better and MUCH more qualified (undergrad and Master's degrees from CMU in voice performance as well as Equity and AGMA performance experience) voice teacher than I am. So he and I work TOGETHER on preparing students for college auditions, to great success so far (admission and scholarships to UM, NYU, CMU, PPU, PSU, CCM, etc.).</p>
<p>And finally - if you live in a town with limited resources, or if your own financial resources are limited and you can't get a lot of coaching/teaching for those reasons, are you "doomed?" NO WAY! MT schools can recognize raw talent, for sure, even if you sing the "wrong" songs and are not very prepared. But the deal is that you have to be REALLY talented in order for that to be true. Like everything, college MT auditions are becoming more and more competitive, so any "edge" you can provide for yourself (solid, ineresting, and appropriate audition pieces, for example) helps you to be noticed. But colleges do NOT expect you to be a "perfect package" when you audition - otherwise, why would you NEED school? So do as much as YOU CAN to prepare for your auditions - but don't stress about what you genuinely CAN'T do!!!</p>
<p>Good luck to all - I hope this was helpful!</p>