Film Production Major

<p>jcarroll, since it’s your first project, I understand you’re doing it for the experience. If it’s really such a large project, do you think it’s a good idea to go in so unprepared? In August 2008, I decided to write and direct my first short film. I had minimal production experience, I had merely watched my employers working on commericals and films of their own, and felt like I could handle a short film. I spent months developing the idea, writing and rewriting the screenplay, and putting together notes and ideas of what I wanted to capture on screen.</p>

<p>Even though the screenplay was no more than ten pages, I decided to put out casting calls for the actors and search for an experienced cinematographer. Luckily, I formed a great cast and crew. Neither of us were professionals but it’s safe to say they had more experience than I did. They knew I was doing it for the experience so we all ended up working together, as a team.</p>

<p>I learned how to manage a production schedule, how to be efficient, how to talk to the cast and crew, etc. Unfortunately, this short film had many locations, and because we were all working for experience and credit, we had to finish filming within three, four days max. So, I had to think, how can I film in five or six locations within three days? I had to rent equipment (cameras, microphones), and each day cost me money, so how could I do this efficiently?</p>

<p>In the end, I learned more than you can imagine. Filming took roughly three days, and I still haven’t finished editing - because of university applications - go figure. With all that planning, I still wasn’t ready for what came for me. First day of shooting, on the first scene, we realized our microphone wasn’t compatible with our camera. I had to go down to the rental store, myself, and exchange it, while my cast and crew waited. Most importantly, I didn’t lie to them, I was completely honest. I didn’t want to give them false hope, and told them what the problem was. They understood. I always made sure everybody was comfortable, and that everybody knew what was going on. If there were any delays or problems, I immediately let them know. I listened to them, I was open to suggestions, and I did what I had to do - as a director and producer of the film.</p>

<p>Today, I’m working on many ideas for future screenplays. Next time, however, as a director, I will not start production until I know exactly what I’m looking for. As a first time director, I didn’t really know how each shot would look. I wanted to experiment with the camera, find the right image by being creative – that wasted a lot of time and I ultimately didn’t even know what I wanted. On a future project, I will basically visualize my screenplay, understand what needs to be filmed to tell the story better.</p>

<p>I’m sorry if this little story is out of order and not told in a better way. Hopefully, it helps. Good luck!</p>

<p>One-way: Thanks for sharing :slight_smile: That story definately helped me. Very cool, and very interesting, because, I’m pretty much in the same boat. 40 page script. 10 actors. 4 crew members. 3 1/2 days…O god. </p>

<p>I guess I am trying to be as prepaired as possible: I’ve already storyboarded(exactly how I want to shoot it), schuduled my actors, secured prop lists, and scouted locations . But, I feel like I should be doing more…and I know, there is bound to be unforseen problems(like the mic for you)</p>

<p>Equipment is all good, except, I know aboslutely nothing about lighting. Any suggestions as far as that goes? (please…very low budget…IOW cheap suggestions only haha)</p>

<p>Anyways, One-way thanks again, and when its done, I want to see your movie! </p>

<p>:)</p>

<p>Do you have a cinematographer or a crew for lighting, or are you going to set up the lighting on your own? If you’re on your own and you don’t know much about lighting, it’s going to be farily difficult.</p>

<p>As far as equipment goes, if you’re not lighting anything major, you’ll probably want some basic lights. If you can, see if you can rent a basic kit with 3-point lighting. If you can’t rent, you can always get some work lights from home improvement stores. Hopefully you know about 3-point lighting and as long as you do, you can use any kind of lights to work around that concept.</p>

<p>I’m not so good with lighting either. I understand the concepts but I don’t always know how to light a scene on my own. My cinematographer helped on the film, and with his help, I gave input and began understanding what was going on.</p>

<p>As I said, home improvement stores will have work lights for very cheap. They will also have other types of lights, they will all work for low budget. If you’re shooting outdoors, that’s excellent because you won’t need much, if any, lights. Also, make sure you have reflectors. You can just buy white cardboard, which is what I did, to reflect the light off your actors.</p>

<p>Ditto the work lights from Home Depot. Here is quick run-down of 3 point lighting: [Three</a> Point Lighting Tutorial](<a href=“http://www.3drender.com/light/3point.html]Three”>Three Point Lighting Tutorial) .</p>

<p>Remember that if the lighting is bad and the sound is bad, it won’t matter a bit if the rest of it is great. Get the lighting and sound right.</p>

<p>You will need a shot list/shooting schedule to make best use of your time. Here is an example: [Video</a> Shot List & Shooting Schedule Template | AdHack Beta](<a href=“http://adhack.com/community/resources/video-shot-list-shooting-schedule-template]Video”>http://adhack.com/community/resources/video-shot-list-shooting-schedule-template) </p>

<p>Also, make yourself a simple form with the following columns: Tape #, Scene #, Take #, Start, Stop, Notes. When you start, label your first dv tape #1 and write #1 on the form, followed by the scene # you are shooting and 1 under Take #. Then put the number that you see in the viewfinder of the camera under Start. After you say “cut”, put the new number under “Stop”. Under notes, put things like “actor flubbed line”, “mic in shot”, or “great take!” Put in on a clipboard with a pen, and be diligent about making notes for every take. When you go to edit, this will save you about a million hours.</p>

<p>And here is my most important piece of advice: Have plenty of food and drinks for cast and crew! I mean plenty of food! 40 pages in 3 1/2 days is going to mean very long shooting days. They will be tired and they will be hungry. If you don’t keep them fed, they will mutiny. Yes, this will cost money.</p>

<p>You might want to run down to the bookstore and pick up this book: <a href=“http://www.amazon.com/Filmmaking-Teens-Pulling-Your-Shorts/dp/1932907041[/url]”>http://www.amazon.com/Filmmaking-Teens-Pulling-Your-Shorts/dp/1932907041&lt;/a&gt;&lt;/p&gt;

<p>You will learn a lot making this film, and I’m sure it will be a great experience for you. For future reference, I’ve heard it said that you should never attempt a longer film until you can make a really solid 5 minute film. So, for next time, you might want to try that.</p>

<p>Am I a filmmaker? No, I’m a film mom. :)</p>

<p>OK, Timely, One-way, you guys rock my world! Awesome. Thanks. I don’t have time to respond to everything (studying like a madman for a stat final) but I really really apreciate the advice and info from both of you. And trust me, I will be refrencing this page many times in the coming days to review it. </p>

<p>TIMELY: “And here is my most important piece of advice: Have plenty of food and drinks for cast and crew! I mean plenty of food! 40 pages in 3 1/2 days is going to mean very long shooting days. They will be tired and they will be hungry. If you don’t keep them fed, they will mutiny. Yes, this will cost money.”</p>

<p>This really caught my eye though, because honestly, it did not even cross my mind, but like DUH! Of course! Looks like I need to make an emergency trip to Costco.</p>

<p>ONE-Way: I know about 3-point lighting so I think I’m going to head to HOME DEPOT and see what they got to work with. Any reccomendations on the wattage of the bulbs I should get(I know it kinda depends on what I want to shoot, but is there like standard or medium wattage.) I’m shooting all digital on an HD Cannon if that helps.</p>

<p>:)</p>

<p>PS I’m sorry I’m so bad at spelling, no time for spell check.</p>

<p>Glad to help! I don’t remember that there was much choice of wattage on those work lights, but you can have someone hold up a white sheet in front of the light to diffuse it. Oh, and those lights are hot. You should have a couple pair of work gloves for the crew. </p>

<p>Another thing to pick up at home depot is a sheet of that insulation that’s like styrofoam but it has silver coating on both sides. You can use that as a reflector. If there are shadows, someone can hold that off screen and you can point a light at it and adjust the angle so that it reflects light into the shadowy area. Bring some kind of lightweight rope or cord or something and some clothespins if you have them, just because you never know, and also any extension cords you have (preferably the heavy duty orange ones). If you have a tool kit of some description, bring it too. Oh, and DUCT TAPE! Stuff happens.</p>

<p>Do you have a boom for your mic? If not, we used one of those telescoping poles you use for changing light bulbs. We had to tape the mic handle in there to secure it. If you do that, be sure the tape isn’t crinkling or the mic isn’t wiggling such that it will make noise.</p>

<p>Looking forward to hearing how the shoot goes.</p>

<p>I’m so tired but I’m going to respond and if you still need extra help tomorrow, I’ll be able to answer more in depth.</p>

<p>I think the work lights go up to 100 watts max. I shot some of my smaller projects with 2 or so work lights, each were 50-75 watts. It’s nothing impressive and it’s not going to do an amazing job, but there’s an idea. For my real short film, which I’m still working on, I think my cinematographer had 1,000 watts and several other lights with a lower amount of watts. Of course, his lighting was much more impressive and expensive. We shot the film on an HD Canon as well.</p>

<p>First hurdle: For the past two days, one of the girls that I had booked on to act, hasn’t answered her phone, email, or texts. The thing that really erks me is like, I drive two hours to (north)Hollywood(the ghetto) on Friday to meet this girl, and when I’m there, I litterally tell her, “please, if your not comfortable with this role, or like there is going to be a problem for you to get to Huntington Beach on Friday morning. or anything that would prevent you from taking this role tell me now!” …“Oh no trust me, I’m comfortable, I can borrow my brothers car to get there, were all good, this is my kind of charector TRUST ME…” *did I mention this is the second time an actress has flaked on this role?</p>

<p>Proposed Solution: Call (again) and leave her a message saying basically like, if I don’t hear from you by 5 today, don’t bother showing up on Friday.</p>

<p>One-way: I think I’m going to go with the hundo worklights if I can track some down.</p>

<p>2 of them is probably all I can afford though</p>

<p>think two of these babys would do the trick?</p>

<p>[UtiliTech</a> at Lowe’s: 1000-Watt Tripod Work Light](<a href=“http://www.lowes.com/lowes/lkn?action=productDetail&productId=182105-52757-WL500HDPT-L&lpage=none]UtiliTech”>http://www.lowes.com/lowes/lkn?action=productDetail&productId=182105-52757-WL500HDPT-L&lpage=none)</p>

<p>Or three of these puppys?</p>

<p>[UtiliTech</a> at Lowe’s: Tripod Work Light](<a href=“http://www.lowes.com/lowes/lkn?action=productDetail&productId=199382-52757-WL500RDPT-L&lpage=none]UtiliTech”>http://www.lowes.com/lowes/lkn?action=productDetail&productId=199382-52757-WL500RDPT-L&lpage=none)</p>

<p>OMG she calls me a few mins ago “I was camping, had no service, then I come down the mountain and my phone starts going crazy with like 10 voicemails and 20 texts…All from you!”</p>

<p>woops…OK…so maybe I jumped the gun a little haha</p>

<p>Did I break the record yet for most posts in a row on a single day?! </p>

<p>ok be back later tonight time for some more boring ass statistics!</p>

<p>I think you did. Congratz on posting repeatedly and talking to yourself. Quite the entertainment tonight. Heh.</p>

<p>Is there a difference between the two that you posted? Aren’t they both 1,000 watts? If so, I’d just go for the one that’s less expensive. I think you’re going to have to play around with them a little. Try to do that before you begin filming, just try lighting a friend and see what you like and dislike. It should do the trick but you have to understand it’s not going to be amazing lighting; it will get the job done.</p>

<p>Also, it’s not about what you have but how you use it.</p>

<p>ahaha sorry I am losing my mind over here. Anyways got this today from director of admin at Chap</p>

<p>“Hello Joe- Thank you for emailing me and I’m sorry you have not yet heard back from us. Because you are a Film major that application decision making process takes a lot longer than our other applicants because your file has to go through two different admission committees. We are anticipating being done with our Film applicants by the end of this coming week.”</p>

<p>I got that email late sunday, so I hope she means by friday we should know.</p>

<p>I should litterally put in the credits of the movie “Technical Advisor: One-way”</p>

<p>I was trying to figure out the difference between the lights myself, I think I’m going to go with the cheeper and buy three of them. Still going to put a whole in my wallet, but it’s less than I thought I was going to spend.</p>

<p>Thanks for the update. So we should be hearing in two weeks or so. Not bad, could be worse.</p>

<p>Ugh, they should be done this week? They should have been done last week so we’d hear this week.</p>

<p>jcarroll, do those double equal 1,000 watts? I think they do, so that’s 500 watts each, I’m going to assume. If so, you’d be okay with only buying two. Remember, it’s not about what you have, so if you buy 3, which ultimately means you have 6 500 watts - you’re not going to be able to set that up properly either. I guess you can, since I’m not expert, but how would you? If you’re going to do some basic three-point lighting, you’re not going to be need the extra ones. Does that make sense?</p>

<p>Me, technical advisor. That’s funny because I know nothing about lighting, haha. By the way, you don’t sound like you live to far from me if you met up with the actress in North Hollywood. I’m in Burbank.</p>