I attended NEC from 87-90 as a transfer student (bassoon), met my husband there (oboe) and our D as just finished her freshman year there (violin). We are an NEC family. But I thought I could give insight on how the school has changed over the last 29 years (what?? omg that is a long time!). I’m being told my post is too long so I will be posting in two parts.
Pros:
Amazing faculty who are active in their professions, teaching from the reality of the music profession
Jordan Hall - one of the most beautiful halls in the country - both to see and to hear and you get to rehearse/perform in it all the time. (it was renovated shortly after we left in the 90’s but they worked extra hard to make sure its acoustics were not impacted)
Free access to the BSO (almost worth the COA) - many members of the orchestra are on faculty
Boston - what can you say?
Cons:
Cost of course
Not fully streaming performances yet, though they did make an effort to start this year.
– Environment (supportive, competitive, friendly, cliquish, etc.);
29 years ago - it was a family. Yes there were stories of string players being cut throat but I never witnessed it. Of course we were jealous and hungry for the good parts, but I have no memory of any kind of mean situation. It was great camaraderie. Now - my D has found a friendly and supportive environment as well, especially within her own studios. But the supportive environment has really been throughout the school, in my daughter’s experience.
– Facilities (quality & number of practice rooms, school instruments, libraries, dorms, gyms or athletic facilities, student union or common areas);
The new Student Life Performance Center has been a wonderful addition to NEC. The dorms are on the upper floors. The bottom floors are performance spaces, rehearsal rooms, Book and Listening Library and the cafeteria and large eating/lounging space (affectionately called the “Girk” - Green Room Cafe… The SLPC adjoins the Botolph building (which was purchased and used for classroom space when I was in school there) seamlessly so students don’t have to go outside to get to that building.
The dorms are beautiful and spacious. Beds are lofted but not dangerously so and there is plenty of space between the two halves. Beautiful views of Boston. Nice common areas on each floor. No complaints from my D except for being FORCED to have her door locked at all times (RA’s do not allow them to prop their doors open either). I find that a perfectly acceptable rule but she wishes she didn’t have to take her key to go to the bathroom. Back in the older dorm when I was there we had our doors open wide most of the time which makes a more accessible social environment.
The old dorms (where I lived) are now used as practice rooms which has been a wonderful addition. The bottom of this building now houses a great little music store which was across Huntington Ave 29 years ago. This store is like the school book store where they can get not only school textbooks but all their needed repertoire and school spirit stuff. Students are allowed to practice in their rooms, in the Gainsborough building (the old dorm) and of course in the Jordan Hall building - but these are rare. Even with the addition of the Gainsborough building there are days when my D could not find a practice room but that was not every day. She did not practice in her room all year because she wanted to save her sacred retreat space (which I think was a good idea).
I’m not sure about other instruments but there is a competition for use of several NEC owned violins that students can participate in. I know they have a good Contrabassoon or two because I was forced to play it… haha
There is a YMCA (I believe it was the first in the country?) next door to the school and they offer a student rate, though most students find it too expensive.
– Performance opportunities (as part of the program, as extracurriculars on campus, or side gigs);
There four orchestras - Symphony, Philharmonia, Chamber and Opera. There is an audition at the beginning of the year for placement (Symphony is generally freshman, sophomore, Philharmonia is generally upperclass and grad and I think that Chamber and Opera orchestras were drawn from the Philharmonia group. Once auditioned the strings rotate through the sections (1st and 2nd violin). I’m not sure how the winds, brass and percussion are rotated. It was similar to the string assignments when I was there, but since there are so few wind parts, there were concert series where you sat out. But everyone played in one of two Wind Ensembles. So a wind player could potentially be playing in an ensemble every day of the week - MWF for Orch and TTh for Wind Ensemble or Symphonic Winds
NEC has a strong chamber music program and each group is given an opportunity to perform each semester. There is also an honors chamber competition which gives the winners extra performance opportunities.
My D’s violin studios have class each week (I say plural because she was in 2 studios this past year. Next year will be in only one). She was able to perform in these classes several times even as a freshman. One of her teachers has a student project every year where they pick a “theme” at the beginning of the year and then each student or maybe a duet of students performs a piece in a studio concert in the second semester. This year they performed at the school and then again somewhere else in the city.
My D was asked to perform on several student recitals, from classical to jazz so she had a lot of fun doing that and exploring other genres.
NEC has a good gig resource for students (it used to be a cork board in the bottom of Jordan Hall! haha) but my D didn’t take advantage of it this year. She plans to sophomore year now that she has her sea legs and knows what school takes.
– Faculty (accessibility, style – supportive, demanding, etc., skill; anyone particularly amazing who’s made a difference for your kid or if there is someone to avoid and people should PM you if considering the school!);
I had the absolute fortune to study with Leonard Sharrow and Matt Ruggierro (both of whom have passed) and they were formative years for me. Matt Ruggierro was actively playing in the BSO at the time and he was the kindest and best of men. I know none of this helps anyone looking at this school in the future but I just had to mention my wonderful teachers.
My D’s experience with all faculty has been wonderful. Her private teachers were equally demanding and supportive, in the exact right measure when she needed it. Private teacher/student relationship is so important, not quite parent, but more than professor, and we are all so happy that she has really found her place and that her teachers are so caring of her. Always accessible by email. Had an end of year party at their house which my D says was her happiest moment.
The music and liberal arts faculty has also been wonderful for her. There was on LA teacher she was not happy with but everyone else has been great. Challenging with a dose of “we understand you are a conservatory student”. She has one fantastic LA teacher that was there when we were there! and they share the same birthday which is too weird!
– Cross-departmental opportunities (is there cross-pollination between opera and musical theater, music and theater, or classical and contemporary, for example, or is it more siloed);
I believe there is a great deal of cross-department opportunities, some official and most student led. As I said above students and composers drew from their friends from all over the school for their recitals and performances. My D learned a lot about Contemporary Improvisation and Jazz this year.
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