<p>I didn't put "courage/rashness" for the question about Dick and his father re: fortitude. Why would the father refer to his own version of fortitude as rashness? It would be viewed by someone else (like his son) as rashness, but not by himself. I circled in the answer that was about stoicness and...violence, or something. Dick reprimands his father for not being a calming force for his mother, meaning he expected a measure of stoicness from him. At the same time, the father probably thought (at that moment) that true fortitude or "strength" was finding the man who snatched his daughter and making him pay through means of physical force.</p>
<p>About the mother, I think I wrote down the one about anger. Because she seemed bitter at her daughter's "deceit". But there might have been a better choice. </p>
<p>I think I got a different answer for the father's resolution, too. Again, can't remember the choices, or even what I said.</p>
<p>Indefinably for obscurely. Obscurely doesn't really have a connotation of slow or unexpected. In every sense of the word it means unclear, unilluminated--whether metaphorically or literally.</p>
<p>I put quickly forgotten for the poem about the woman, but that one I'm really iffy about. The poet explicitly states that the women will be quickly forgotten, but by that, and by the content of the rest of the poem, he implies that they are also worth forgetting. One can easily say that the poem is 100% his opinion; for all we know the girl he loves isn't so great at all. And the first few lines where he demeans the other women as women who will be quickly forgotten is not necessarily a truth, is it, a fact that came to pass? He's merely conjecturing, really, except he's so sure of his opinions that he tries to pass them off as facts. So the better answer might be "worth forgetting". Those other women are so worth forgetting that he is certain they will be quickly forgotten. What was the exact question again? </p>
<p>And what were the roman numerals? I can't remember the answers to half these questions. Also, the choices for the superfluous question? </p>
<p>For the last couplet, I said they were there to reiterate the main themes brought about in the above quatrains. Because the poet begins by stating how other women are fleeting, because they will soon be forgotten, whereas what he gives her (his poetry? his romantic dedication?) will make her immortal. And he basically repeats the same spiel in the last two lines. </p>
<p>Arthur is nervous: nervous constitution. I didn't think he literally meant he was nervous around Charlotte. I also said that Charlotte was a bit disdainful of him. He says that he's a really pathetic guy before evening, and she silently and snidely mentions that she can totally imagine that. </p>
<p>Telephone ring = mundane. I'm shaky on this one too though. If I could recall the exact wording of the choices, I think I could choose between this one and the dramatic one.</p>
<p>Oh, and what did you put for the other I, II or III question in the darkness passage? My memory is as pathetic as Arthur is before dinner.</p>